Beyond the Rules; Structure; Critique of Restorative Three-Act Form; Counter Structure; Narrative and Anti-Narrative; Working with Genre 1; Working with Genre 2; Working Against Genre; Reframing the Active/Passive Character Distinction; Stretching the Limits of Character Identification; Main and Secondary Characters; Subtext, Action and Character; The Primacy of Character Over Action; The Subtleties and Implications of Screenplay Form; Character, History and Politics; Tone; Dramatic Voice/Narrative Voice; Digital Features; Writing the Narrative Voice; Rewriting; Adaptations from Contemporary Literature; Personal Scriptwriting: The Edge; Beyond the Edge;
Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University. Jeff Rush is an associate professor at Temple University's Department of Film & Media Arts. He has served as director of the MFA program and as Department Chair in Film & Media Arts. He received an MFA in Screenwriting and Directing from the American Film Institute and an MFA in Fiction Writing from the University of Iowa's Writer's Workshop. In addition to teaching, Jeff has worked as a freelance screenwriter and has published numerous articles and books.
Praise for the fifth edition:
"Screenwriting is about making choices. What Dancyger and Rush
reveal so effectively in Alternative Screenwriting is just how many
options are possible, how the various available choices work and
how different decisions will impact screen storytelling. This book
substantially broadens every screenwriters' -creative
horizons."
-David Howard, USC screenwriting professor and author of The Tools
of Screenwriting and How to Build a Great Screenplay."
"Alternative Scriptwriting is invaluable to anyone interested in
screenwriting or in directing fiction. Using plain language it
demystifies storytelling for the screen, and opens up myriad
possibilities for using the cinema with invention, freshness, and
imagination." - Michael Rabiger, Professor Emeritus, Film/Video
Department, Columbia College Chicago.
"Just as Aristotle's "Poetics and André Bazin's "What is Cinema
are an inseparable part of a Screenwriting reading list, Ken
Dancyger and Jeff Rush's "Alternative Scriptwriting is an absolute
must read for a deeper understanding of the structure of
Screenwriting. -Dr. John Bernstein, Director, Graduate Program in
Screenwriting, Department of Film and Television, Boston
University
"Alternative Scriptwriting," by Ken Dancyger and Jeff Rush, is one
of the few books on the subject that doesn't make you feel stupid
while you're reading it.
Instead of the usual boring list of "tricks of the trade" that
replaces a real table of content in so many "How To Write A
Screenplay And Sell It For A Lot Of Money To An Even Bigger Lot Of
Talentless Hopeful People" Dancyger & Rush offer real insight for
those who take their screenwriting seriously and are not afraid to
venture a little bit "beyond the rules". Both as a filmmaker and as
a teacher I have found this volume very precious because what the
authors do best is mix American craftsmanship with European
sensibility.
An excellent cocktail, if you ask me. And you did."
-Marc Didden - Head Of Screenwriting at St. Lukas Hogeschool,
Brussels , Writer/Director ( "Brussels By Night", "Istanbul",
"Sailors Don't Cry" )
Praise for the third edition:
"An insightful alternative to mainstream narrative and character
analysis that presents the reader with a clear dissection of the
mainstream before revealing the alternatives."
-- Script Factory
"[Alternative Scriptwriting] aims to challenge its readers to
create writing that is exceptional. While no book can possibly
replace your own creative vision, as a resource it's thorough and
is a good way to help yourself consider alternative ideas."
-- Plugin Cinema
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