Introduction
Preliminaries
An Analytic Approach to What Next?
Identity Formation in Episodes 1-2
Communication and Irony in the Explanation Episodes
Cooperation and Confusion in the Hope Episodes
Communication and Gender Breakdown in Episodes 37-38
Appendix: Libretto Excerpts
Notes
Bibliography
Index
Keenly perceptive. . . . Excellent choice of an illustrative
`analytical vignette' at end of chapter 2. . . . Illustrated with
exceptionally well-produced music examples that will aid anyone
wanting to be rewarded by close listening to the connections he
uncovers.
*MUSIC & LETTERS*
Among the best musicological writings devoted to Carter. . . .
Greatly facilitated by a presentation that is remarkably clear.
*REVUE DE MUSICOLOGIE*
A rare example of a book devoted entirely to a single, recent
composition. . . . Show[s] how Carter manages to create a reliably
functioning mechanism more than equal to the demands he makes on
it.
*MUSICAL TIMES*
In elucidating the inner workings of Carter's musical language
Capuzzo makes a significant contribution to Carter scholarship, and
to the literature of contemporary music theory. --
*John Link, William Paterson University*
A fascinating study. . . . Capuzzo addresses the inner clarity and
expressive immediacy of 'What Next,' as well as the
tragicomedy.'OPERA NEDERLAND [Mark Duijnstee] Capuzzo's prose style
is plain-spoken and approachable. . . . Lively and rewarding. OPERA
NEWS [Arlo McKinnon] Full Review In his insightful book-length
analytical study of this opus, Guy Capuzzo has contributed an
invaluable resource to Carter studies, as well as to post-tonal
music theory. . . . [He] expresses his ideas with clarity, and
those who do not have a predilection for technical analysis will
still be able to gain much insight into the narrative, drama,
history, and critical reception of the work. Readers are also
fortunate that the quality of the publication is quite high, and
University of Rochester Press is to be commended for their
attention to editorial detail. Furthermore, Capuzzo's study makes a
nice companion to those books on Carter and his music already in
the press's catalogue (Carter 1997 and Meyer and Shreffler 2008).
Anyone who knows these sources will certainly want Capuzzo's
monograph as part of their collection as well.
*MUSIC THEORY ONLINE*
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