The collected works of one of contemporary poetry's most original voices.
Frank Bidart is the author of Metaphysical Dog (FSG, 2013), Watching the Spring Festival (FSG, 2008), Star Dust (FSG, 2005), Desire (FSG, 1997), and In the Western Night: Collected Poems 1965-90 (FSG, 1990). He has won many prizes, including the Wallace Stevens Award, the 2007 Bollingen Prize in American Poetry, and the National Book Critics Circle Award. He teaches at Wellesley College and lives in Cambridge, Massachusetts.
WINNER OF THE 2018 PULITZER PRIZE IN POETRY
WINNER OF THE 2017 NATIONAL BOOK AWARD FOR POETRY "[Half-light]
comprises fifty years' worth of daring, revelatory poems. For me,
it's the book not just of the year but of the decade." --Garth
Greenwell, Bookforum "[Frank Bidart's] poetry over five decades has
volubly modeled a wholly new approach to autobiographical material,
chiefly by giving voice to the inner travails of other people's
lives, both real and imagined . . . The publication of Half-light:
Collected Poems 1965-2016 gives readers a chance to see how Bidart,
ill content merely to 'say what happened' in prefab stanzas,
performs a poetry of 'embodiment' . . . Throughout his career,
Bidart's self-devoting genius has been his ability to transform a
poem into a vocalized (albeit anguished) performance of
consciousness and moral interrogation, an occasion for metaphysical
speculation as intense and oracular as any Shakespearean monologue
or philosophical treatise . . . Sublime . . . Mesmerizing . . . ."
--Major Jackson, The New York Times Book Review "Made up of the
seventy-eight-year-old author's eight previous volumes of verse and
a new sequence--the bold and elegiac Thirst--Half-light is both the
culmination of a distinguished career and a poetic ur-text about
how homophobia, doubt, and a parent's confusing love can shape a
gay child . . . The collection is a fraught song of the self,
composed of subtleties and exclamations . . . True emotion demands
a dialogue, and, like James Merrill's extraordinary work The
Changing Light at Sandover, Bidart's poems are a kind of s�ance,
one in which he tries to invoke and communicate love, even if that
love can no longer be achieved, tasted, seen, touched." --Hilton
Als, The New Yorker "Frank Bidart has long challenged readers--and
convention--with a complexity and originality not often seen in
American poetry. Now with Half-light: Collected Poems 1965-2016,
readers can gain a deeper understanding of how Bidart's writing
works together to create a vast, manifold narrative . . . The book
closes with an ambitious section of new writing that deals with
mortality and remembered friendships, a fitting way to end this
monumental work." --Elizabeth Lund, The Washington Post "Stunning .
. . Outstanding." --Gregg Shapiro, The Bay Area Reporter "A massive
book that covers 50 years of words, Bidart's collected contains
enough routes and themes to produce years of reading. His
style--capitalized words, italics, shifting speakers, personae,
autobiography--result in a modern mythmaker who channels the old
masters. A poet finely attuned to the contours of sensuality, he
can simultaneously be spare and weighty." --Nick Ripatrazone, The
Millions "Frank Bidart's Collected Poems is a true monument--not
only the sum of fifty years as one of America's leading poets, but
also the release of a new collection (an event in itself) titled
Thirst. Bidart is likely best known for the characters he puts into
his poems . . . and the Collected is an opportunity to view these
monologues all in conversation. It is also a chance to take stock
of his innovations in poetic form--how they have developed
throughout his career and how they have influenced the literary
world. This is a big, big book--well over 700 pages--one to take
one's time with and to savor." --Scott Esposito, Lit Hub
"Half-light is a tremendous literary event. One of the undisputed
master poets of our time, Frank Bidart eats and breathes the high
culture of the twentieth century, from the music of Callas and
Edith Piaf to the monuments of classic cinema. But Bidart is no
mere aesthete; for him, art is a supreme life force, water in the
desert of the soul, a talisman against oblivion.' --Craig Morgan
Teicher, NPR.org "Relentless and ever willing to face his demons,
no matter how terrifying, in the interest of making great art,
Bidart is, to my ear, one of the very few major living poets who
never wavers, never repeats himself (though he has always orbited
the same concerns), and extends his questing and questioning
through each new work. This collected poems is an almost
overwhelming bounty, a permanent book." --Publishers Weekly "Art of
first order . . . Truly remarkable." --Piotr Florczyk, New Orleans
Review
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