Introduction; Birth: the Young Prodigy, 1881-98; Picasso and Symbolism, 1899-1904; Picasso, Anarchism and the "Els Quatre Gats" Cafe, 1900-03; Clown, Harlequins, Maskers and Musicians, 1903-1905; Picasso and Primitivism: Les Demoiselles d'Avignon, 1906-07; The Coming of Cubism: Picasso's Three Women, 1908-09; Picasso and Braque: Pioneering Cubism, 1910-11; Pasting Papers: Collage, Papier colle and Picasso's Guitar Construction, 1912-14; Modernity and Tradition: The Onset of War, 1914-16; Varying Styles of Cubism, 1916-17; Picasso and the Ballets Russes: Parade, Jean Cocteau and the Influence of Guilluame Apollinaire, 1917; Cubism, Classicism and Commedia dell'Arte, 1918-21: Picasso's Three Musicians; Picasso and Surrealism. La Revolution surrealiste and the Crises in the Painting, Collage and Sculpture of 1924-26; Picasso and Painting in the 1920s; Drawing and Sculpture: The Ballet Mercure and Picasso's Monument to Apollinaire, 1924-28; Comparative Anatomies: Woman in a Garden, 1929-32; The Spectacle of Violence: Guernica and the Spanish Corridas of 1933-37; Classicism Death and Magical Transformations, 1938-48; Picasso's Late Sculpture, 1942-61; Picasso and the Old Masters: Life and Death, 1966-73.
Introduction; Birth: the Young Prodigy, 1881-98; Picasso and Symbolism, 1899-1904; Picasso, Anarchism and the "Els Quatre Gats" Cafe, 1900-03; Clown, Harlequins, Maskers and Musicians, 1903-1905; Picasso and Primitivism: Les Demoiselles d'Avignon, 1906-07; The Coming of Cubism: Picasso's Three Women, 1908-09; Picasso and Braque: Pioneering Cubism, 1910-11; Pasting Papers: Collage, Papier colle and Picasso's Guitar Construction, 1912-14; Modernity and Tradition: The Onset of War, 1914-16; Varying Styles of Cubism, 1916-17; Picasso and the Ballets Russes: Parade, Jean Cocteau and the Influence of Guilluame Apollinaire, 1917; Cubism, Classicism and Commedia dell'Arte, 1918-21: Picasso's Three Musicians; Picasso and Surrealism. La Revolution surrealiste and the Crises in the Painting, Collage and Sculpture of 1924-26; Picasso and Painting in the 1920s; Drawing and Sculpture: The Ballet Mercure and Picasso's Monument to Apollinaire, 1924-28; Comparative Anatomies: Woman in a Garden, 1929-32; The Spectacle of Violence: Guernica and the Spanish Corridas of 1933-37; Classicism Death and Magical Transformations, 1938-48; Picasso's Late Sculpture, 1942-61; Picasso and the Old Masters: Life and Death, 1966-73.
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