Mary Ellen Mark (1940-2015) achieved worldwide visibility through her numerous books, exhibitions, and editorial magazine work. She was a contributing photographer to the New Yorker and published photo-essays and portraits in Life, New York Times Magazine, Rolling Stone, and Vanity Fair. Her books include Seen Behind the Scene: Forty Years of Photographing on the Set (Phaidon, 2008), Exposure (Phaidon, 2006), and Twins (Aperture, 2005).
Martin Bell is a filmmaker whose film Streetwise was nominated for an Academy Award. He has collaborated with Mary Ellen Mark on several projects, including his films Twins, Circus of Dreams, Alexander, and Streetwise.
"A remarkable record of young people on the brink of
change."--Publishers Weekly
"Prom makes the high school ritual a unifying experience: the
excitement of prom night--and the impending march into
adulthood--transcends cultural, socioeconomic and social
barriers."--The New York Times's Lens Blog
"A breathtaking look at an American rite of passage."--People
"Award-winning photographer Mary Ellen Mark traveled the country to
find an eclectic mix of subjects for her latest work, Prom. . . .
Mark captured the hope, fear, sadness, joy (and yes, awkwardness)
that prom brings in black-and-white photos."--Washington Post
"Awkward. Hilarious. Heartbreaking. Magical. The high-school prom
is a very American rite of passage. Renowned photographer Mary
Ellen Mark invites herself to the dance, capturing the poignant
moment teenagers teeter on the edge of adulthood."--Smithsonian
"Known for her portraiture and for her unflinching eye in
uncomfortable zones, this time Mark has set herself the challenge
of looking at the quintessential American coming-of-age-ritual--the
senior prom. . . . If the exhibition fascinates, the book is a
must-have."--Weekly Press (Philadelphia]
"Mark's vivid black-and-white prints celebrate the great variety
and individuality of high school students through a study of
prom-goers and their dates."--The Huffington Post
"Prom, by real-life photojournalist Mary Ellen Mark, captures this
quintessential rite of passage in its infinite variety."--W
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