Lo Scarabeo's Tarot decks have been acclaimed all over the world for originality and quality. With the best Italian and international artists, each Lo Scarabeo deck is an exceptional artistic value.
Commited to developing innovative new decks while preserving the rich tradition of Tarot, Lo Scarabeo continues to be a favorite among collectors and readers.
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Summary:
Although loosely based on the Rider-Waite-Smith deck, the Universal
Fantasy Tarot also plumbs fantasy writing and art, ranging from the
stories of H. P. Lovecraft to the art of Arthur Rackham and Barry
Windsor Smith, allowing you to investigate your own spirituality
and unconscious. While familiar enough to give readings by those
familiar with the RWS tradition, the unique symbolism and artistic
excellence may be more attuned to those who use the Tarot for
meditation, path working and spiritual evolution.
In-Depth Review:
Although there have always been stories steeped in fantasy, the
modern fantasy genre of writing goes back to William Morris and
Lord Dunsany of the 19th century. It continued into the 20th
century with writers such as Arthur Machen, H.P. Lovecraft, and
Robert E. Howard. Thanks to the movies, perhaps the best-known
example of such work is The Lord of the Rings by J.R.R.
Tolkien.
Such fantasy literature consists of impossible worlds, often
intersecting with our all too real Earth. Characters, whether they
be human or non-human, usually have all too human personalities and
foibles, adding a type of realism to unreal places and
situations.
Illustrative art for fantasy stories has moved in two directions.
One, thanks to computers, is ultra-realistic with an almost 3-D
quality. The other is one that pays attention to detail in ways
that would make Rembrandt (who painted every thread on the lace
worn by his models) smile. One example of this style was a series
of comic books based on the stories of Conan (created by Howard)
and drawn by Barry Windsor-Smith. Not only do you want to read the
story, but you want to look at every panel to observe each detail.
Although not as uber-realistic as the art realized on computer, it
grabs you more and pulls you in.
It is this later type of art that is drawn by Paolo Marinello in
the Universal Fantasy Tarot. Although the cards are all drawn in
the same fantasy style, and have a color palate that features deep
purples and rich blues (making the 4 of Swords with its swath of
bright orange stand out), each card is also separate, drawing your
attention to it in ways that are almost uncanny. You look at it and
see Rider-Waite-Smith hidden beneath the fantasy, but then you
start examining the symbols and are taken in different ways. Be
careful with this deck! You could end up spending hours just
looking at the cards and getting fresh revelations (which isn't a
bad thing unless you're short on time).
Although modeled after the RWS deck, every card has it's
differences. There's not enough space to look at every card, but
let's start by working with one in depth: the Fool. Here, rather
than walking looking out and about to be stepping over a cliff, he
is shown sitting with his legs dangling over the cliff. The Little
White Booklet says that the meaning of this card is "At times, in
order to understand things, we have to open our mind to dreams."
Instead of blindly falling off the cliff (or being ready to do so),
he sits, considering whether or not to take the leap. The stick
over his shoulder not only has a bag with his possessions, but it
also has a massive purple banner, covering most of the sky. Against
it are blue feathers in his hair that are morphing off and becoming
butterflies as his dreams soar. He looks over at a dog/beast with
it's own blue banner. Typically, the dog, as an evolution of the
wolf, represents the human nature evolving from lower to higher.
Here, the creature is a dog and a wolf and perhaps
something...else? Perhaps it represents the union of the conscious
and unconscious and ability to transcend both. The dog usually
follows the man. Here, the creature looks back, as if saying
"follow me into unknown worlds." Behind them is a field of reddish
flowers. Is this implying that it is passion (red color) that
drives us and moves us toward the uncanny? The Fool's banner
reminds us of that held by the boy on the Sun card, representative,
perhaps of life's lessons and courage. There is so much to see in
this one card that is the RWS, but is also not that deck.
The Empress presents a side view, as she morphs into some sort of
H.R. Giger creature. The Chariot has winged horses pulling a
gigantic temple of forbidden gods. The Hanged Man dangles thousands
of feet above the ground, a strange bird holding a short rope that
is tied to his ankle. The Devil is a monstrous, purple, Lovcraftian
nightmare descending upon two stoic, Egyptian cats. The 8 of
Chalices shows a miniature man on the back of a flying chicken in a
harness, leaving the full-sized man in a barn shown behind them.
The LWB describes this card's meaning as "We must learn to govern
our feelings to the utmost and leave those we have loved and fought
for free to go." The Knight of Chalices shows a blue-haired
Centaur.
The 7 of Pentacles shows two people reaching the top of a rocky
cliff. There they see a unicorn with a massive horn, a strange,
octopus-like tree and a tower. The Knight of Pentacles shows a
miniature man riding through some flowers on the back of a
harnessed squirrel. The 2 of Swords shows a blindfolded woman
holding two swords, while protecting her is some sort of monstrous
dragon. The art here is reminiscent of Arthur Rackham.
The cards are at times amusing and peaceful. At other times they
are horrifying nightmares. However, this should not dissuade you
from using this deck. Our minds have both dark and light sides. We
would have no way of knowing the light without something to compare
it to. We should not ignore the dark part of ourselves so much as
master and control it.
The LWB has a 15-card spread that could best be used
cooperatively.
This deck is ideal for meditation, self-examination, and path
working. If you're just looking for spiritual and psychological
insights, this deck is highly recommended.
Deck Attributes
Name of deck: Universal Fantasy Tarot
Publisher: Lo Scarabeo
ISBN: 978-0738710600
Creator's name: Paolo Marinello
Brief biography of creator: Paolo Marinello was born in 1975 and
graduated form the Academy of Fine Arts of Venice, Italy. He is
best known as an illustrator for various publishers and comic
strips.
Name of accompanying booklet: Universal Fantasy Tarot
Number of pages of booklet: 64 (14 in English)
Author of booklet: Bepi Vigna
Available in a boxed kit?: No.
Magical Uses: Pathworking, Meditation.
Reading Uses: General
Artistic Style: Fantasy/surreal
Theme: The world of fantasy literature and illustration
Tarot, Divination Deck, Other: Tarot
Does it follow Rider-Waite-Smith Standard?: In name, yes, but the
symbolism varies.
Does it have extra cards?: No.
Does it have alternate names for Major Arcana cards?: No.
Does it have alternate names for Minor Arcana suits?: Cups are
called "Chalices."
Does it have alternate names for the Court Cards?: Pages are called
"Knaves."
Why was deck created?: In these Tarot cards the ancient symbols are
reinterpreted, using the imaginary world of fantasy literature.
Every icon refers to a universe where elements of the medieval
world merge with others that belong to myth and fantasy, taking on
new meanings, but maintaining ancient content and symbolism.
Book suggestions for Tarot beginners and this deck: Mary K. Greer's
21 Ways to Read a Tarot Card.
Book suggestions for experienced Tarot users and this deck: Rachel
Pollack's Tarot Wisdom, Tarot Shadow Work by Christine Jette.
Alternative decks you might like:
Legacy of the Divine Tarot
The Quest Tarot
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