Mehmed Ali hails from Lowell, Massachusetts where he currently works as the municipality's City Historian. He received bachelors and masters degrees in political science from the University of Hawai'i and his doctorate in history at the University of Connecticut. Ali has served as a U.S. Marine, postman, National Park Service ranger, and diplomat but relishes his role as the father of daughter "Lom" Evelyn best of all.
"Yousuf Karsh & John Garo - The Search for a Master's Legacy" is a
superb book that memorializes John H. Garo's life, work, legacy and
influence on Yousuf Karsh with skilled, thoroughly researched
writing and beautifully printed reproductions. It makes Garo come
fully alive, as never before, a century after his height in fame
and celebrity--and generously details his mentoring and father-son
relationship with young apprentice Yousuf Karsh. While the book is
filled with facts and photographs, many of which have never been
seen, it's main impact is the appreciation of how Garo lived his
life to the fullest, as long as possible. Where his artistic
ability, fearless determination, free spirit, ambition, humanity,
people skills and optimism came from I'll never know, but the
ability to reinvent himself from Mgurdich Hovhanessian in crumbling
Kharpert to Jack Garo in upper class Boston society is truly
remarkable, and I'm only so sorry that it all ended so tragically
(and I believe so needlessly). Mehmed Ali has scrupulously
researched every scrap of information he could find from
interviews, letters, Tomajan/Nahigian/Eresian family histories,
magazine and newspaper articles and extensive Garo-Karsh
correspondence, and synthesized them into a lively, fascinating
story. And, Jerry Fielder brings his unique perspective, as a
longtime Karsh colleague and confidant, to bear on how Garo's works
stood out in that fleeting period of photographic history and how
he influenced Yousuf artistically, technically and personally in
his own world-renowned career.--John Garo Eresian "Former Vice
President and Chief Financial Officer, Boston Children's Hospital
(and Grand Nephew of John H. Garo)"
[Mehmed Ali has] come forward with a book encompassing the lives of
two very prominent Armenian photographers of our time: Yousuf Karsh
and his one-time mentor John Garo. "It's been a work in progress
over the past six years," said Ali. "The more I delved into their
lives, the greater understanding and respect I had for their work."
Titled The Search for a Master's Legacy, the book takes into
account perhaps the greatest portrait photographer of his time, and
the Boston mentor who taught him the ropes as a child. The
chemistry each shared with their cameras and meager darkroom
furnishings transcends both time and tradition.--Tom Vartabedian
"The Armenian Weekly"
A look at a great photographer and his student Boston photographer
John Garo was such a star in the 20th century that President Calvin
Coolidge, given the choice of having his White House portrait done
by him or artist John Singer Sargent, selected Garo. After moving
to Boston in 1889, Garo, a painter, switched to photography when he
realized it held better earning potential. Yet he maintained his
painterly ideals, and some of his photographs look like paintings.
Garo loved to socialize and his imposing studio - on a stretch of
Boylston Street then known as Photographers' Row - was a favorite
gathering place. However, Garo was not without critics, among them
one who in Alfred Stieglitz's publication Camera Work called Garo's
photography "essentially a trick." Still, actresses and business
tycoons streamed into Garo's studio to sit for portrait
photographs. In the late 1920s, Yousuf Karsh, a survivor of the
Armenian genocide, began a three-year apprenticeship with Garo, an
exacting teacher. Karsh once spent 18 days producing a single
photograph. Eventually Karsh's career eclipsed his mentor's. During
World War II, Karsh photographed Winston Churchill and many other
world leaders. Mehmed Ali's "Yousuf Karsh & John Garo: The Search
for a Master's Legacy" (Benna), illustrated with 100 photographs,
most of them by Garo or Karsh, offers an inside look at the early
years of celebrity photography.--Jan Gardner "The Boston Globe"
A writer does a special service to the culture when he or she
assembles a narrative that rescues a significant person from the
back shelves of a library or newspaper archives. Mehmed Ali's
scholarly sweet spot is the history of Lowell, Mass., but his
research at times ranges far afield as he has done with his new
book about the substantial photographers Yousuf Karsh and John
Garo. With Boston links and even a thread into the Lowell
experience, these accomplished artists made portraits of luminaries
like President Calvin Coolidge, Winston Churchill and Pablo
Picasso. This is also a story of a master and apprentice, a mentor
and mentee, with Karsh investing himself in the restoration of
Garo's legacy as one of New England's notable photographers. Ali's
discovery of Garo while doing research on Armenian political
activists in Lowell led him to Karsh's widow, Estrellita, who
encouraged Ali to pursue the story. Ali immersed himself in the
subject, revealing the extraordinary accomplishments of both Garo
and Karsh. The book is beautifully produced with high quality
reproductions, mostly in black and white with a few color
images.--Paul Marion "The Lowell Sun"
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