Contents: Making noise: Sterneana and adaptation; Sentimental journeys?: adaptations of Sterne’s travel narratives; Elegant extracts or fungous productions?: Sterneana and sentimental fiction; ’Forth from the closet to the improving stage’?: Sterneana on stage and page; ’A illustration to the mind’s eye’: Sterneana and the visual; (In)conclusion; Appendix; Bibliography; Index.
Mary-Céline Newbould is a Director of Studies and Supervisor in English at the University of Cambridge, where she is a Bye-Fellow of Newnham College, UK.
"An extensive thirty-page bibliography and a very useful representative chronology of nearly three hundred Sterneana created between 1760 and 1840 concludes this essential study of an important phenomenon." - SHARP News"She is (…) doing a service with the sheer breadth of her inquiry. With (I presume) the aid of full-text databases, she has discovered Sternean moments and allusions in places no previous scholar thought to even look, and has brought together genres and media often treated in isolation: travel writing, collections of excerpts, sentimental fiction, drama, songs, satirical prints, etc. And many of her comments on individual texts and images (…) are insightful." – David A. Bewer, The Ohio State University
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