About the Author

Ana Menéndez was born in Los Angeles, the daughter of Cuban exiles. She is the author of three previous books of fiction, In Cuba I Was a German Shepherd, which was a New York Times Notable Book of the Year and whose title story won a Pushcart Prize; Loving Che; and The Last War, chosen by Publishers Weekly as one of the Top 100 Books of the Year.

Since 1991 Ana has worked as a journalist in the United States and abroad, most recently as a prize-winning columnist for The Miami Herald. As a reporter, she has written about Cuba, Haiti, Kashmir, Afghanistan, and India, where she was based for three years.

Her work has appeared in Vogue, Bomb, Poets & Writers, and Gourmet, and has been included in anthologies such as Cubanisimo! and American Food Writing. A former Fulbright Scholar in Egypt, she now lives in Maastricht and Miami.

Visit Ana's website at anamenendezonline.com

Reviews

Marvelous . . . What makes this book so liberating is the way it plays tricks with language and perception, offering glimpses of inner lives that are almost too inventive for words. --More Arrestingly brilliant.--Junot Diaz (interview with The Rumpus) Dazzling . . . As bold in its execution as in its conception . . . It is rare enough for an American writer to muster the energy to construct such an intricate work; it is unthinkably rarer for such formal intricacies to serve some aesthetic or philosphical purpose beyong themselves. But this is precisely the case with Adios, Happy Homeland! Menendez's fictions are never content merely to display their finely wrought strangeness. Almost every text 'collected' here would, considered on their own, outshine in comparison the majority of American short fiction; take together, the effect is vertiginously powerful. . . . An effortless, balletic braiding of the subjective and the objective. --The National Ana Menendez's fiction--her stories, even when disguised as philosophy or poetry or journalism or tongue-in-cheek humor--are always more imaginative, vital, and puzzling than expected . . . Excellent examples of contemporary short fiction at its finest . . . remarkably diverse . . . Menendez's writing is crystal clear. She has both the courage and the vitality to evoke many diverse voices in such a convincing way. It's a joy to read such uncluttered, unabashed, and vivd prose, and to penetrate more deeply into contemporary Cuba's still unrevealed heart.--The Rumpus A thought-provoking, humorous, sometimes dizzying collection . . . [with] graceful, poignant lyricism . . . A brilliant and inventive work: fractured, layered storytelling conveys the unsettling experience and shifting sense of indentity that exile brings.--The Huffington Post Ana Menendez lets her imagination soar with this nonlinear, unpredictable, and challenging book. . . . Toys with conventional notions of time, space, and casuality. . . . She hooks you, her beginnings are often flawless. . . . Radiates deep affection for [Cuba]. --The Miami Herald Can only be described one way: enthralling . . . Menendez has invented an ingenious collection. . . . Fabulous . . . incredibly quirky and endlessly enjoyable . . . A refreshing piece of modern literature . . . A great perspective on the wild imaginations that we develop.--Examiner.com "Everywhere you turn in Adios, Happy Homeland! you find a beautiful meld of tradition and modernism, an admirable mastery of irony, and a lyrical deposition on exile and homecoming. Take this balloon ride across the Carib-Cubano-Americano sea and landscape and you will relish the view.--Alan Cheuse "A deft, playful collection . . . Revitalizing . . . Part love song to Cuban literature and lore, part Borgesian encyclopedia of the subspecies of flight, part questioning of the very conditions of fiction-making--and all charming."--Kirkus Reviews [Menendez] begins with a blend of Cuban history, myths, and tales of escape from the island, and adds irony and humor to create linked stories full of hope, struggles to transcend our earthly ties, and longing to return to what one hopes to flee. She plays with reality as though it were a puzzle, mixing and rearranging the pieces. . . . Menendez's voice is a vital force in Latino literature, brimming with a distinctive magical realism woven out of both traditional and modern elements of the everday wiorld. --Booklist "Innovative . . . A necessary purchase for Cuban American collections."--Library Journal Never have I had so many expectations--of both literature and people--overturned in one book. . . . Adios, Happy Homeland! tears apart the flat picture of Latin America and the Caribbean that has been painted over the past few decades. . . . One of the most honest books I have ever encountered . . . Strange and wonderful . . . What emerges from the tangle of narratives that makes up Adios, Happy Homeland! is a meditation on the ways that literature and identity intersect. . . . An act of literary destruction . . . Menendez pulls the carpet out from under us, and we must start seeing the world afresh.--New World Reviews