Introduction: Apprehending Aesthetic Apprehensions, Jena Habegger-Conti and Lene M Johannessen
Chapter 1: Drawing Closer: Liminal Medievalism in the Post-punk Gothic, Aidan Conti
Chapter 2: A Chair is not a House: Sepulchral Intimacies in Sharp Objects, Janne Stigen Drangsholt
Chapter 3: “The Immortal Conception, the Perennial Theme”: Reading the Modern Body in Willa Cather’s “Coming, Aphrodite!”, Ingrid Galtung
Chapter 4: Not Reading the Signs in Nick Drnaso’s Sabrina, Jena Habegger-Conti
Chapter 5: Apprehensive Figurations: Monuments in “Site-Specific Performances”, Lene M. Johannessen
Chapter 6: Apprehending the Past in the National Parks: False Familiarities, Aesthetic, Imaginaries, and Indigenous Erasures, Jennifer Ladino
Chapter 7: The Garrulous Eye: Allegorization of Rape in Djuna Barnes’ “Ryder”, Helle Håkonsen Lapeniene
Chapter 8: Metonymy and the “Art of Reading the World Slowly”, Genevieve Liveley
Chapter 9: Aesthetic Apprehensions, Hauntology and Just Literature, Ruben Moi
Chapter 10: Close Reading and Critical Immersion, Timothy Saunders
Chapter 11: Indians, Aliens, and Superheroes: Countering Silence and the Invisual in David Mack’s Echo: Vision Quest, Sara L. Spurgeon
Chapter 12: Listening to Ourselves: The Musician as Listener in Rafi Zabor’s The Bear
Comes Home, Zoltan Varga
Chapter 13. Harlem to World and World to Harlem: Revisiting the Transnational Negotiations of Harlem Renaissance Narratives, Nahum Welang
Jena Habegger-Conti is associate professor of English at the Western Norway University of Applied Sciences.
Lene M. Johannessen is professor of American literature at the University of Bergen.
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