Peter Ackroyd follows LONDON- THE BIOGRAPHY with a book which is equally original and even more magnificent in scope.
Peter Ackroyd is an award-winning historian, biographer, novelist, poet and broadcaster. He is the author of the acclaimed non-fiction bestsellers London: The Biography, Thames: Sacred River and London Under; biographies of figures including Charles Dickens, William Blake, Charlie Chaplin and Alfred Hitchcock; and a multi-volume history of England. He has won the Whitbread Biography Award, the Royal Society of Literature's William Heinemann Award, the James Tait Black Memorial Prize, the Guardian Fiction Prize, the Somerset Maugham Award and the South Bank Prize for Literature. He holds a CBE for services to literature.
The author of London: The Biography examines the English imagination-from Beowulf to Virginia Woolf. Copyright 2003 Reed Business Information.
This is much more than history; it is a tapestry of inspiration and
love * The Guardian *
One cannot but marvel at Ackroyd's erudition, his energy in marshallin g minutiae, his ear for quotation, his flair for dazzling juxtapositions, his vibrant imagination and sheer exuberance * The Times *
Ackroyd covers not only literature but art, architecture, music and almost everything else that has passed through the minds of the English...just one damn interesting thing after another * Sunday Times *
Even a writer as popular, prolific and inventive as Ackroyd can concoct a bore. Nevertheless, Albion is likely to succeed on his considerable reputation and the success of his bestselling London: The Biography. Here Ackroyd seeks to define and describe what he sees as distinctive qualities of the English imagination as they have developed since the country's beginnings. Quoting the 17th-century Richard Burton's The Anatomy of Melancholy, he claims a cultural continuity-"we weave the same web still, twist the same rope again and again." But the Englishman, as Daniel Defoe remarked, and Ackroyd concedes, remained infinitely adaptable, having already assimilated waves of invasion and conquest-and become "Roman-Saxon-Danish-Norman-English." Explaining that "mungrell" mingling in 53 thematic chapters, Ackroyd appropriates nearly every quality in literature and the arts for England (largely ignoring Ireland and downplaying Scotland). He cites love of gardens, worship of trees, cultivation of dream-visionaries, affection for eccentricity, affinity for morbid sensationalism, attraction to understatement, pleasure in alliteration, fondness for cross-dressing, passion for antiquarianism, ease with an empirical temper, relish for detective and ghost stories, penchant for portrait miniatures, creative adaptation of folksong. It is a sentimental stretch. Where London was animated by a brilliant exploitation of anecdote, Albion lacks its verve. Rather, it is armed with a goodly-and defensive-helping of "It has often been said," "it might even be said," "It is no surprise, either, that," and often bogs down in bland thesis and empty persuasion. Yet vastly learned and frequently engaging, it may prove good bedtime reading-a veritable night school. B&w and color illus. not seen by PW. (On sale Oct. 21) Copyright 2003 Reed Business Information.