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Alice's Adventures in Wonderland
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Lewis Carroll, born Charles Lutwidge Dodgson (1832-98), grew up in Cheshire in the village of Daresbury, the son of a parish priest. He was a brilliant mathematician, a skilled photographer and a meticulous letter and diary writer. Alice's Adventures in Wonderland, inspired by Alice Liddell, the daughter of the Dean of Christ Church in Oxford, was published in 1865, followed by Through the Looking-Glass in 1871. He wrote numerous stories and poems for children including the nonsense poem The Hunting of the Snark and fairy stories Sylvie and Bruno. Chris Riddell, the 2015-2017 Uk Children's Laureate, is an acclaimed artist of children's books and a political cartoonist for the Observer. Amongst other titles, Chris illustrates the Ottoline young fiction series and the Goth Girl series, as well as working closely with Paul Stewart on the Edge Chronicles and Wyrmeweald. He has won many awards for his work, including the Nestle Gold Award, the Costa Children's Book Award 2013, the UNESCO Award for Something Else and the rare honour of two Kate Greenaway Medals.

Reviews

Gr 4-8 Many fine artists have illustrated Alice in Wonderland , notably Arthur Rackham (Heinemann, 1907; o.p.), Ralph Steadman (Potter, 1973; o.p.), and Barry Moser (University of California Pr, 1982). Like the others, Browne utilizes Carroll's full text, including the ``Golden Afternoon'' poem and an author's note about the Hatter's Riddle. As a tribute to Tenniel's artistry, most of the best illustrators echo his unforgettable drawings. Although some of Browne's illustrations borrow Tenniel's composition, for example the frog doorman and the fish messenger, Browne's hyper-realistic style and quirky details make them his own. He ably avoids the Disneyesque trap that many full-color illustrators fall into. His Alice, more ordinary and child-like, meets all of the customary bizzare creatures, including Browne's signature gorilla. Readers will enjoy discovering the odd details that Browne includes, such as the fish mustache on the marble bust or the club-shaped beauty mark and the pig-earred hat on the Duchess. Reillustrating a classic like Alice in Wonderland is a challenge. Many have tried, but only a few can match Lewis Carroll's brilliance. Anthony Browne is one of them. Karen K. Radtke, Milwaukee Public Library

Zwerger's (The Wizard of Oz) captivating cover image of the Mad Tea-Party for this edition of Carroll's 1865 tale conveys the psychological tension of the interior artwork: Alice, at the head of an elongated table with a pristine white linen cloth, stares at the pocket watch that the March Hare is about to lower into his cup of tea. The Hare, bug-eyed, gazes out at readers while the Mad Hatter to his right, wearing a hat box, fixates on a black upturned chapeau (in lieu of a place setting), and the Dormouse between them sleeps. Across the table, an empty red mug is placed in front of a vacant green chair, and a teacup and saucer trimmed in red seems to be set for the reader. The painting conveys the way in which Zwerger brilliantly manages both to invite readers into the story and to keep them at a distance. From the heroine's first appearance, as she falls down a well while chasing the White Rabbit, with a glimpse of orderly bookshelves at the upper left corner, Zwerger demonstrates the many layers to Alice's journey: a cutaway view reveals that the bulk of the other "shelves" are the result of rats and insects tunneling underground. The supporting cast conveys the artist's nearly sardonic perspective. The contrary caterpillar, with six of its eight arms crossed, would be at home in New York's East Village: instead of a hookah it smokes a cigarette and sips red wine, yetÄunlike Sir John Tenniel's sedated counterpartÄthis caterpillar is lucid, defiantly staring out at an Alice (and readers) absent from the scene. Zwerger's penetrating interpretation reinvents Carroll's situations and characters and demands a rereading of the text. All ages. (Oct.) Copyright 1999 Cahners Business Information.

"This year, that curious, hallucinating heroine Alice, friend of Cheshire cats and untimely rabbits, is turning 150 years old...And what a perfect match, in tone and whimsy, found in Rifle Paper Co.'s Anna Bond."--Vanity Fair "Publishers are having a creative field day with stunningly beautiful new covers--and lovely insides, too, in the case of Puffin's whimsical Alice's Adventures in Wonderland, illustrated by Rifle Paper Co.'s Anna Bond."--Entertainment Weekly "Chic...The pretty face of Anna Bond's Alice looks continually astonished, and even in the scene where her neck grows freakishly serpentine, the heroine remains comely. Elegant and unthreatening, Ms. Bond's pictures abound with so many flowers and curling vines that Wonderland seems a much nicer place than perhaps we remembered."--Wall Street Journal "150 years after Alice in Wonderland was published, Anna Bond, the creative director of stationer Rifle Paper Co., draws a whole new tea party in this deluxe hardcover edition."--New York Magazine's The Cut "In this beautiful, oversized, hardcover anniversary edition--with the complete, unabridged text--readers will fall in love all over again with the classic tale of the girl who fell down the rabbit hole. Illustrator Anna Bond, of gift and stationery brand Rifle Paper Co., applies her stylish, whimsical touch and distinctive color palette to Alice and her friends, from the inviting jacket and the case-cover art beneath it to the original endpapers and the superb full-color interior illustrations, large and small." --Shelf Awareness "This year marks the 150th anniversary of Lewis Carroll's beloved classic, Alice's Adventures in Wonderland. Commemorate the occasion with a deluxe hardcover edition of the tale from Puffin Books, available Oct. 27. The new book is re-illustrated with vibrant, whimsical designs by Anna Bond of Rifle Paper Co., for a one-of-a-kind look at Alice's imaginative journey."--American Profile From the Hardcover edition.

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