Anita Shreve is the author of nine other critically acclaimed and bestselling novels, all published in Abacus paperback.
* A painful tale of obsession . . . impeccably done SUNDAY TIMES * Shreve is prolific, polished, unputdownable. Above all, she delivers serious topics with a readable touch GUARDIAN * Fluent and purposeful in its portrayal of the despair and claustrophobia seething beneath an ordered surface SUNDAY TIMES * Etna is a woman operating under rigorous and agonising self-discipline. Volcanic passions exist beneath her submissive fa ade JOANNE HARRIS
* A painful tale of obsession . . . impeccably done SUNDAY TIMES * Shreve is prolific, polished, unputdownable. Above all, she delivers serious topics with a readable touch GUARDIAN * Fluent and purposeful in its portrayal of the despair and claustrophobia seething beneath an ordered surface SUNDAY TIMES * Etna is a woman operating under rigorous and agonising self-discipline. Volcanic passions exist beneath her submissive fa ade JOANNE HARRIS
In bestsellers such as Fortune's Rocks, Shreve has revealed an impeccably sharp eye and a generous emotional sensitivity in describing the moment when a man and a woman become infatuated with each. She is less successful this time out, perhaps because the epiphany is one-sided. Escaping from a New Hampshire hotel fire at the turn of the 20th century, Prof. Nicholas Van Tassel catches sight of Etna Bliss and is instantly smitten. She does not reciprocate his feeling, for she has her own unrequited lust, for freedom and independence. That they marry guarantees tragedy. Nicholas tells the story in retrospect, writing feverishly on a train trip in 1933 to his sister's funeral in Florida. His pedantic style is full of parenthetical asides, portentous foreshadowing and rhetorical throat. His erotic swoon commands sympathy, until it carries him past any definition of decency. He will do anything to bring down Philip Asher, his academic rival and the brother of Etna's true love, Samuel. He plays on prevailing anti-Semitism (the Ashers are Jewish), and he persuades his daughter, Clara, to claim that Philip touched her improperly, which besmirches not only Philip's reputation but Clara's as well. We see Etna herself only secondhand, except for some correspondence with Philip reproduced toward the end of the tale. Credit the author for making the point that Etna and her sisters had too little autonomy even to tell their own stories, but filtering Etna's experience through Nicholas's sensibility deprives the novel of intimacy and immediacy. (Apr. 15) Forecast: A coordinated laydown will energize sales, and Shreve's latest will likely hit the charts. Copyright 2003 Reed Business Information.
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