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American-Australian Cinema
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Table of Contents

1. Adrian Danks, Stephen Gaunson and Peter C. Kunze, Where I'm Calling From: An American-Australian Cinema? Part I. Across the Pacific: Looking to America2. Adrian Danks, Rudimentary Modernism: Ken G. Hall, Rear-Projection and 1930s Hollywood3. Leslie DeLassus, Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life4. Jane Mills, Representations and Hybridisations in First Nation Cinema: Change and Newness by Fusion5. Fincina Hopgood, Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star PersonaPart II. The View From There: Australian Films in the US6. Tessa Dwyer, Accented Relations: Mad Max on US Screens7. Peter C. Kunze, Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood8. Mark David Ryan, Australian Horror Movies and the American Market9. Amanda Howell, The Fe

male Gothic Meets the Terrible Terrace House: Transnational Exchanges and the Suburban Australian Horror of The Babadook Part III. Here and There: Crossing Between Australian, US and International Cinemas10. Stephen Gaunson, American Cartel: Block Bookings and the Paramount Plan11. Jock Given, The Multiplex Era12. Jeannette Delamoir, "Zest to the Jaded Movie Palate": Wallace Worsley, Scott Dunlap and The Romance of Runnibede (1928)13. Jerod Ra'Del Hollyfield, Defining Neverland: P. J. Hogan, J. M. Barrie, and Peter Pan in Post-Mabo Australia 14. Lesley Hawkes, The Great Gatsby: Telling National Iconic Stories Through a Transnational Lens

About the Author

Adrian Danks is Deputy Dean, Media in the School of Media and Communication at RMIT University, Australia. He is the editor of A Companion to Robert Altman (2015).Stephen Gaunson is Senior Lecturer and teaches Cinema Studies in the School of Media and Communication at RMIT University, Australia. He is the author of The Ned Kelly (2013).Peter C. Kunze earned a PhD in English at Florida State University, USA and is currently pursuing a second PhD in Media Studies at the University of Texas at Austin, USA. He is the editor of The Films of Wes Anderson: Critical Essays on an Indiewood Icon (Palgrave, 2014).

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