Christian Robinson was born in Hollywood, California. He grew up in a small one-bedroom apartment with his brother, two cousins, aunt, and grandmother. Drawing became a way to make space for himself and to create the kind of world he wanted to see. He studied animation at the California Institute of the Arts and would later work with the Sesame Workshop and Pixar Animation Studios before becoming an illustrator of books for children. His books include Gaston and Antoinette, written by Kelly DiPucchio, and the #1 New York Times bestseller Last Stop on Market Street, written by Matt de la Pena, which was awarded a Caldecott Honor, a Coretta Scott King Illustrator Honor, and the Newbery Medal. He presently lives in northern California with his rescue greyhound Baldwin and several houseplants. He looks forward to one day seeing the aurora borealis. Visit him online at TheArtofFun.com.
"Robinson's first book as both author and illustrator is a
gentle, wordless wonder." - The New York Times Book
Review
* "Simple geometric shapes and expanses of empty space make the
spreads easy to consider, and Robinson nails the pacing, using each
page turn for a comic or conceptual beat. Almost all children
wonder whether there are others exactly like them somewhere out in
the universe, doing the same thing at exactly the same time. By
playing with that idea while juxtaposing similarity and difference,
Robinson creates an almost mystical Droste effect of a story that
is all mirrors and windows for the group of various children who
are offered portals to reach one another. He also creates a
speculative world with its own logic, and an adventure that will
both puzzle and amuse." - Publishers Weekly, starred
review
* "The simple geometry of Robinson's work comes alive in this
expanse of wordless narrative. A fearless use of white space and an
utter disregard of conventions of direction encourage readers to
engage with the physical book as the story unfolds, touching and
turning it as they literally take the narrative into their hands. A
bright, open primer for Escher." - Kirkus Reviews, starred
review
* "Both beautiful and fanciful...vibrant shapes reminiscent of Paul
Klee or Piet Mondrian fill the pages.... A work of art and
celebration of childhood for all libraries." - School Library
Journal, starred review
"The brightly colored illustrations pop against a pure white
background. Children, some upright and some upside down, are shown
in a variety of clothing and skin colors, partaking in various
activities. Is this a parallel universe, or is it all a dream?
Readers will decide, and a little blue mouse may help with the
final decision." - Booklist
"Our protagonist, a brown-skinned explorer with a headful of bouncy
beaded braids (which fetchingly fall up as she first pokes her head
through the portal where up is down) is clearly a fan of other
worlds (her nightie sports a red image of Saturn in complement to
the mirror girl's blue, and she's looking into a telescope on the
back cover) who's made for exploring, and her cat's silent but
determined progress provides an entertaining visual thread. The
youngest viewers may enjoy decoding the girl's journey with some
adult assistance, while more book-savvy kids will get a kick out of
'reading' the story all on their own." -- BCCB
* "Smart, sly, and imaginative." - Horn Book Magazine,
starred review
"In this exhilarating wordless picture book, a girl and her cat
enter a portal to a physically skewed world where they encounter,
among other things, their doppelgangers." - Shelf
Awareness
* A "multilayered, mind-blowing and truly out-of-this-world
adventure." - BookPage, starred review
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