Table of Contents

** Contents subject to change

1. Anonymous, Ave Maris Stella
2. Anonymous, The Oxyrhynchus hymn
3. Ambrose of Milan, Aeterne Rerum Conditor
4. Anonymous, Some Easter Mass Propers
5. Anonymous, Polyphonic examples from Musica Enchiriadis
6. Anonymous, Antiphon "Ecce apparebit dominus" with Psalm 147 (146):1–11
7. Anonymous, Kyrie Cunctipotens genitor
8. Anonymous and Notker the Stammer, Two Early Medieval Sequences
9. Anonymous, Tropes for the Introit Resurrexi
10. Fulbert of Chartres (?), Responsory: Stirps Jesse
11. Anonymous, Sequence Congaudentes exultemus for St. Nicholas
12. Anonymous, Responsory Ex eius tumba and Prosula Sospitati for St. Nicholas
13. Fleury Playbook, From The Three Daughters, a play for St. Nicholas
14. Winchester Troper, Polyphonic Setting of Alleluia Surrexit Vere
15. Anonymous, Annus Novus in Gaudio
16. Anonymous, Stirps Jesse Florigeram
17. Anonymous, Alma perpetui /Ave regina caelorum
18. Albertus, Cantor of Paris, Congaudeant Catholici
19. Peter Abelard, Epithalamica
20. Four Troubadour Songs
     20.1. Macabru, L'autrier jost' una sebissa
     20.2. Bernart de Ventadorn, Can vei la lauzeta
     20.3. Guiraut de Bornehl, Reis glorios
     20.4. La Comtessa de Dia, A chantar m'er
21. Adam of St. Victor (?), Zima vetus
22. Hildegard of Bingen, Mathias Sanctus
23. Anonymous, Laude Novella
24. Anonymous, Bacche, bene venies
25. Thibaut de Champagne, Chancon ferai que talenz
26. Alfonso the Wise (?), Rosa das Rosas
27. Martin Codex, Ondas do mare de Vigo
28. Philip the Chancellor (?), Sol oritur
29. Anonymous, Phrases from the Vatican Organum Treatise and Two-part organum purum with discant, and copula
30. Anonymous, Organum triplum on Flos Filius
31. Anonymous, Clausulae on Flos Filius
32. Anonymous, Two early motets on Flos Filius
33. Petrus de Cruce, S'Amours eust point de poer/Au Renouveler/Ecce
34. Philip de Vitry, Tribum/Quoniam/Merito
35. Guillaume de Machaut, Remede de Fortune: Dame de qui, toute ma joie and Dame vous sans retollir.
36. Guillaume de Machaut, Fons totius/O livoris feritas/Fera pessima
37. Guillaume de Machaut, Messe de Nostre Dame: Kyrie
38. Jacob Senleches, Je me merveil/J’ay pluseurs fois
39. Marchettus of Padua, Ave regina celorum/Mater innocencie/Ite Joseph
40. Anonymous, Madrigal: Quando I Oselli Canta
41. Francesco Landini, De sospirar sovente
42. Antonio Zacara da Teramo, Cacciando per gustar
43. Anonymous, Singularis Laudis Digna
44. Richard Queldryk, Troped Gloria

About the Author

Margot Fassler is Keough-Hesburgh Professor of Music History and Liturgy at the University of Notre Dame. Her works include The Virgin of Chartres: Making History through Liturgy and the Arts, Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris, and a series of films on sacred music. Fassler is a member of the American Academy of Arts and Letters; her awards include a Guggenheim Fellowship and the American Musicological Society’s Otto Kinkeldey Prize. Walter Frisch is H. Harold Gumm/Harry and Albert von Tilzer Professor of Music at Columbia University. He is the author of numerous books and articles, including Brahms: The Four Symphonies, The Early Works of Arnold Schoenberg 1903–1908, and German Modernism: Music and the Arts. He is the recipient of two ASCAP-Deems Taylor Awards and fellowships from the National Endowment for the Humanities, the Alexander von Humboldt Foundation, and the Center for Scholars and Writers at the New York Public Library.