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Anthology for Music in the Renaissance
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Table of Contents

  • Luca Marenzio, Liquide perle 
  • Johannes Ciconia, Doctorum principem 
  • Thomas Morley, Miraculous love’s wounding 
  • Guillaume Du Fay, Par le regart 
  • Antoine Busnoys, Ja que li ne s’i attende 
  • Jacob Obrecht, Missa de Sancto Donatiano, Kyrie 
  • John Dunstable, Quam pulchra es 
  • Anonymous, There is no rose 
  • Guillaume Du Fay, Supremum est mortalibus 
  • Guillaume Du Fay, Missa L’homme armé, Agnus Dei 
  • Josquin des Prez, Missa L’homme armé super voces musicales, Kyrie 
  • John Wilbye, Draw on, sweet Night 
  • Bartolomeo Tromboncino, Ostinato vo’ seguire 
  • Josquin des Prez, Ave Maria . . . virgo serena 
  • Josquin des Prez (?), Mille regrets 
  • Clément Janequin, Martin menoit 
  • Jacques Arcadelt, Il bianco e dolce cigno 
  • Adrian Willaert, Madonna mia famme bon’offerta 
  • William Byrd, Ave verum corpus 
  • Jean Lhéritier, Nigra sum 
  • Giovanni Pierluigi da Palestrina, Missa Nigra sum: Credo 
  • Thomas Tallis, Why fumeth in sight 
  • Giovanni Bassano, Divisions on Orlando di Lasso, Susane un jour 
  • Diego Ortiz, Recercada ottava 
  • Fabrizio Dentice, Fantasia 
  • Claudio Monteverdi, Sfogava con le stelle 
  • Carlo Gesualdo, O vos omnes, from Tenebrae for Holy Week
  • About the Author

    Richard Freedman is John C. Whitehead Professor of Humanities at Haverford College. His writings include a book, The Chansons of Orlando di Lasso and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France, and articles in numerous publications, including The Musical Quarterly, Music and Letters, and The New Grove Dictionary of Music. He is the recipient of grants from the National Endowment for the Humanities, the American Council of Learned Societies, and the Mellon Foundation. Walter Frisch is H. Harold Gumm/Harry and Albert von Tilzer Professor of Music at Columbia University. He is the author of numerous books and articles, including Brahms: The Four Symphonies, The Early Works of Arnold Schoenberg 1903–1908, and German Modernism: Music and the Arts. He is the recipient of two ASCAP-Deems Taylor Awards and fellowships from the National Endowment for the Humanities, the Alexander von Humboldt Foundation, and the Center for Scholars and Writers at the New York Public Library.

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