Introduction; Precursors; Agitprop; The Situationist Legacy; Simulation; Feminist Critique; Postcolonialism; Postcommunism; Postproduction; Appraisals; Biographical Notes; Bibliography; Index; Acknowledgements.
David Evans is the author of the catalogue raisonné John Heartfield: AIZ/VI 1930-38 (1992). He has contributed to international exhibitions on Heartfield and photomontage, and published numerous articles on the avant-garde, the Situationists, and appropriation strategies in contemporary art. He was a Research Fellow in Photography at the Arts Institute at Bournemouth.
"The great strength of this landmark anthology is its inclusive strategy, which by dint of a simultaneous editorial economy has not resulted, thank heavens, in a monstrous tome. From Malek Alloula to Gil J. Wolman, the voices sampled here introduce the reader to artistic practices and theoretical concepts that anyone interested in appropriation ought to know." - Anne M. Wagner, Class of 1936 Chair and Professor of Modern and Contemporary Art, University of California, Berkeley
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