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Art, Power and Modernity
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Fugitive authorship - William Ivins and the reproduction of art; artists, exhibitions, and power during the 19th century; auditing the Royal Academy - official discourse and the 19th-century Royal Academy; art and reproduction - some aspects of the relations between engravers and painters in London, 1760-1850; art classification and rituals of power - the resurgence of etching; a Trojan horse at the Tate -the Chantrey episode; towards an historical typology of art museums.

About the Author

Gordon Fyfe is lecturer in sociology at the University of Keele.

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