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Art Since 1900


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Table of Contents

How to use this book * Preface: A reader's guide Introductions Psychoanalysis in modernism and as a method * The social history of art: models and concepts * Formalism and structuralism * Poststructuralism and deconstruction * Globalization, networks and the aggregate as form 1900 - 1909 * 1910 - 1919 * 1920 - 1929 * 1930 - 1939 * 1940 - 1944 * Roundtable: Art at mid-century * 1945 - 1949 * 1950 - 1959 * 1960 - 1969 * 1970 - 1979 * 1980 - 1989 * 1990 - 1999 * 2000 - 2015 * Roundtable: The predicament of contemporary art Glossary * Further Reading * Selected useful websites * Picture credits * Index

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An updated edition of the most comprehensive critical history of 20th and 21st-century art

About the Author

Hal Foster is Townsend Martin, Class of 1917, Professor of Art and Archaeology at Princeton University Rosalind Krauss is Meyer Schapiro Professor of Modern Art and Theory at Columbia University. Yve-Alain Bois is Professor in the School of Historical Studies at the Institute for Advanced Study in Princeton. Benjamin H. D. Buchloh is Franklin D. and Florence Rosenblatt Professor of Modern Art at Harvard University. David Joselit is Carnegie Professor of the History of Art, Yale University.


'The definitive history of twentieth-century art ... spectacular, and painstakingly conceived' - Gaby Wood, Observer
'The book is important, not because it gives neat answers but because it raises questions' - Sir Nicholas Serota
'The significance of 'Art Since 1900' can't be underestimated: psychoanalysis and poststructuralism are now inescapable methodologies that must be taken on board by mainstream art history' - Claire Bishop, Artforum
'A remarkable collective work. It criss-crosses the entire twentieth century in complex and fascinating ways. Written by four of the most innovative scholars of modern art history today, it is a landmark' - Briony Fer, University College London
'This is no ordinary survey ... it opens theoretical and historical perspectives on twentieth-century art with a sparkling clarity every reader will appreciate' - Mignon Nixon, Courtauld Institute of Art
'The truth is that this is a lot more than a book. In fact, think of it as a season ticket to all the world's galleries, Google, and the far corners of the internet rolled into one ... This is an extraordinary book, extraordinarily well managed' - Art Book Review

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