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How to use this book * Preface: A reader's guide Introductions Psychoanalysis in modernism and as a method * The social history of art: models and concepts * Formalism and structuralism * Poststructuralism and deconstruction * Globalization, networks and the aggregate as form 1900 - 1909 * 1910 - 1919 * 1920 - 1929 * 1930 - 1939 * 1940 - 1944 * Roundtable: Art at mid-century * 1945 - 1949 * 1950 - 1959 * 1960 - 1969 * 1970 - 1979 * 1980 - 1989 * 1990 - 1999 * 2000 - 2015 * Roundtable: The predicament of contemporary art Glossary * Further Reading * Selected useful websites * Picture credits * Index
An updated edition of the most comprehensive critical history of 20th and 21st-century art
Hal Foster is Townsend Martin, Class of 1917, Professor of Art
and Archaeology at Princeton University
Rosalind Krauss is Meyer Schapiro Professor of Modern Art and
Theory at Columbia University.
Yve-Alain Bois is Professor in the School of Historical Studies at
the Institute for Advanced Study in Princeton.
Benjamin H. D. Buchloh is Franklin D. and Florence Rosenblatt
Professor of Modern Art at Harvard University.
David Joselit is Carnegie Professor of the History of Art, Yale
University.
'The definitive history of twentieth-century art ... spectacular,
and painstakingly conceived' - Gaby Wood, Observer
'The book is important, not because it gives neat answers but
because it raises questions' - Sir Nicholas Serota
'The significance of 'Art Since 1900' can’t be underestimated:
psychoanalysis and poststructuralism are now inescapable
methodologies that must be taken on board by mainstream art
history' - Claire Bishop, Artforum
'A remarkable collective work. It criss-crosses the entire
twentieth century in complex and fascinating ways. Written by four
of the most innovative scholars of modern art history today, it is
a landmark' - Briony Fer, University College London
'This is no ordinary survey ... it opens theoretical and historical
perspectives on twentieth-century art with a sparkling clarity
every reader will appreciate' - Mignon Nixon, Courtauld Institute
of Art
'The truth is that this is a lot more than a book. In fact, think
of it as a season ticket to all the world’s galleries, Google, and
the far corners of the internet rolled into one … This is an
extraordinary book, extraordinarily well managed' - Art Book Review
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