About the Author

Sandy Nairne is Director of the National Portrait Gallery, London. He was previously Director of Programmes at Tate, Director of Visual Arts for the Arts Council of Great Britain and Director of Exhibitions at the ICA, London. He has worked as a curator and writer.

Reviews

I was gripped by Sandy Nairne’s matter-of-fact but hair-raising account of the efforts to reclaim the two Turners
*Philip Hensher, Books of the Year, The Spectator*

In Art Theft and the Case of the Stolen Turners, Sandy Nairne describes going underground to help recover the booty of a daring heist. Superheroes all.
*Elaine Showalter, 'Books of the Year', TLS*

a riveting, edge-of-seat chronicle of the eight years of subtle sleuthing and wrangling that led to the painting’s recovery. As [Nairne] engages with undercover policemen, top financiers and Serbian crime lords (via seedy lawyers), this is a fabulously involving tale.
*The Independent*

a fascinating read, delving into some of the important moral issues associated with the paying of recovery fees.
*Alexander McCall Smith, Books of the Year, The Scotsman*

a thoughtful (and personal) entrée into the business of art theft
*Sunday Times*

Sandy Nairne takes us into an art-and-underworld maze that matches Raymond Chandler at his most labyrinthine . . . raise[s] interesting questions about why thieves steal art and why art theft should matter to us.
*RA Magazine*

an engrossing volume with behind-the-scenes stories of an incredibly complicated recovery
*Art News*

a gripping account of the complex and delicate negotiations for the recovery of the Turners.
*Country Life*

[a] vivid account of the workings of a hidden art world the culmination of over eight years of research has at its heart an exploration of different concepts of value.
*Apollo*

A stupefying amount of Nairne’s life, as his riveting book reveals, was devoted to nerve-racking negotiations with mysterious middlemen, sudden and futile expeditions to Germany, tense meetings with loss adjusters, Tate trustees and detectives.
*The Observer*

Nairne’s book is fascinating in its account of the astonishingly British way in which extraordinary legal precedents were set, and special permissions were sought, to legitimise the return of the Turners
*The Spectator*

Nairne’s insiders chronicle of the investigation and subsequent recovery of the paintings via negotiation often reads like a fine arts version of The Thomas Crown Affair. And that romanticized perception a crime of derring-do by suave gentlemen or plucky outsiders is part of the problem.
*Washington Post*

Rarely does an institution victimized by an art theft recover its stolen works of art . . . It is also rare that someone associated with the victimized institution writes an intriguing, in-depth account of the recovery effort. Sandy Nairne has just such a captivating account in Art Theft and the Case of the Stolen Turners . . . a dramatic narrative of the case that dispels many of the myths and misconceptions that have surrounded the circumstances of the works extraordinary recovery . . . I would recommend Nairne’s new book to anyone interested in the intricacies of stolen art recovery.
*Art Theft Central*

A sensational, frank book
*Welt am Sonntag*