About the Author

Born in Dublin in 1969, and now living in Canada, Emma Donoghue writes fiction (novels and short stories, contemporary and historical including The Pull of the Stars), as well as drama for screen and stage. Room, was a New York Times Best Book of 2010 and a finalist for the Man Booker, Commonwealth, and Orange Prizes, selling between two and three million copies in forty languages. Donoghue was nominated for an Academy Award for her 2015 adaptation starring Brie Larson. She co-wrote the screenplay for the film of her novel The Wonder, starring Florence Pugh and distributed by Netflix.

Reviews

‘Emma Donoghue is one of the great literary ventriloquists of our time. Her imagination is kaleidoscopic. She steps borders and boundaries with great ease and style. In her hands the centuries dissolve, and then they crystallise back again into powerful words on the page.’

Colum McCann

‘Time and again, Emma Donoghue writes books that are unlike anything I have ever seen before, and Astray is no exception. There is such a deep and compassionate imagination at work in every story in this collection that Astray feels almost like an act of clairvoyance.’ Ann Patchett, author of State of Wonder and Bel Canto

‘Emma Donoghue is one of the great literary ventriloquists of our time. Her imagination is kaleidoscopic. She steps borders and boundaries with great ease and style. In her hands the centuries dissolve, and then they crystallize back again into powerful words on the page.’ Colum McCann, author of Let the Great World Spin

The stories in Donoghue's new collection all come, to varying degrees, from historical records; the author of Room, who studied 18th-century literature at Cambridge, has a gift for reading historical documents and picking out the odd, telling detail. There's the Plymouth Plantation man who accuses his neighbors of indecency, in "The Lost Seed"; the woman who gives her daughter up for adoption, then writes the Children's Aid Society demanding her return, in "The Gift"; the Tammany Hall bigwig found to be a woman, in "Daddy's Girl"; all outlines begging to be filled in. The 14 stories are all short (many too short), and by the time they've set up the circumstances and the era, they're almost done, and we're leaving characters we know as creatures of a time and place rather than individuals. When Donoghue establishes a distinct voice and person, the stories are vivid, curious, and honest: we'll remember the serial Puritan accuser and the young German soldier in revolutionary America long after we've forgotten other characters-like Jumbo the Victorian elephant and his keeper or the men who tried to hold Abraham Lincoln's body for ransom-in stories that are notable more for the historical moments they reconstruct than for the people who inhabit them. Agent: Kathleen Anderson. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.

Elephant trainers, counterfeiters, prostitutes, and slaves are among the intriguing historical characters who wander the pages of Irish author Donoghue's short stories. Each of the restless characters goes astray in search of love, money, security, or a better life. In a fascinating afterword, Donoghue reveals that the idea for the collection came from her own experiences as an emigrant (she moved from Dublin to England and then to Canada). Each tale is based on an event or person whose story the author unearthed from an old newspaper or archive and is followed by information on some of the research involved. Many of these richly detailed shorts are told in the first person, and the fabulous cadre of narrators (James Langton, Khristine Hvam, Robert Petkoff, Suzanne Toren, and Dion Graham) bring these little gems vividly to life. VERDICT For all fans of literary or historical fiction. ["Working in a different vein from the wrenching Room, Donoghue has created masterly pieces that show what short fiction can do. Not just for devotees of the form," read the review of the Little, Brown hc, LJ 6/15/12.-Ed.]-Beth Farrell, Cleveland State Univ. Law Lib. (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.