John Williams (1922–1994) was born and raised in northeast
Texas. Despite a talent for writing and acting, Williams flunked
out of a local junior college after his first year. He reluctantly
joined the war effort, enlisting in the Army Air Corps, and managed
to write a draft of his first novel while there. Once home,
Williams found a small publisher for the novel and enrolled at the
University of Denver, where he was eventually to receive both his
B.A. and M.A., and where he was to return as an instructor in
1954.
He remained on the staff of the creative writing program at the
University of Denver until his retirement in 1985. During these
years, he was an active guest lecturer and writer, editing an
anthology of English Renaissance poetry and publishing two volumes
of his own poems, as well as three novels, Butcher’s Crossing,
Stoner, and the National Book Award–winning Augustus (all published
as NYRB Classics).
Daniel Mendelsohn was born in 1960 and studied classics at
the University of Virginia and at Princeton, where he received his
doctorate. His essays and reviews appear regularly in The New York
Review of Books, The New Yorker, and The New York Times Book
Review. His books include The Lost: A Search for Six of Six
Million; a memoir, The Elusive Embrace; and the collection Waiting
for the Barbarians: Essays from the Classics to Pop Culture,
published by New York Review Books. He teaches at Bard College.
“The finest historical novel ever written by an
American.” —The Washington Post
“[In Augustus] John Williams re-creates the Roman Empire from
the death of Julius Caesar to the last days of Augustus, the
machinations of the court, the Senate, and the people, from the
sickly boy to the sickly man who almost dies during expeditions to
what would seem to be the ruthless ruler. He uses an epistolary
format, and in the end all these voices, like a collage, meld
together around the main character . . . Read it in
conjunction with Robert Graves’s more flamboyant I, Claudius
and Marguerite Yourcenar’s Memoirs of Hadrian.” —Harold
Augenbraum, Executive Director of the National Book Foundation
“A novel of extraordinary range, yet of extraordinary minuteness,
that manages never to sacrifice one quality for the
other.” —Financial Times
“Williams has fashioned an always engaging, psychologically
convincing work of fiction—a consistent and well-realized
portrait.” —Thomas Lask, The New York Times
"Readers of both Stoner and Butcher’s
Crossing will here encounter an altogether new version of the
John Williams they’ve come to know: Augustus is an
epistolary novel set in classical Rome. It’s a rare genius who
can reinvent himself in his final work and earn high praise for
doing so." —The Millions
"Augustus is gripping, brimming with life." —Dan Piepenbring, The
Paris Review Daily
“This novel of an aged emperor will be intensely illuminating to
anyone who is ready to put modern morality aside for a moment in
order to acquire a little knowledge of himself or herself … The
genius of this astonishing American writer is that he shows how
lives that seem utterly strange can be very like our own.” —John
Gray, New Statesman
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