Table of Contents

Introduction / Chapter I The Animal's Sincerity: Wittgenstein, Levinas, Lacan / Chapter II — Kant and the Animal's Charm / Chapter III — Hegel and Nature / Chapter IV — Beauty in Nature — Hegel's Aesthetics / Chapter V — Fossils and the Fossilisation of the Dialectic

About the Author

Michael Lewis is the author of Heidegger and the Place of Ethics (Bloomsbury), Heidegger beyond Deconstruction: On Nature (Bloomsbury), Derrida and Lacan: Another Writing (Edinburgh University Press), and (with Tanja Staehler), Phenomenology: An Introduction (Bloomsbury), along with articles on Agamben, Bataille, Derrida, Esposito, Lacan, Stiegler, and Žižek among others. Educated in Philosophy at the Universities of Warwick and Essex, he has taught philosophy, film, psychoanalysis, and philosophical anthropology at the University of Sussex (2007–9, 2011), University of Warwick (2010), and the University of the West of England (2011–15). He currently teaches philosophy at the University of Newcastle Upon Tyne.

Reviews

Until now animal philosophy has tended to pass over a crucial dimension of experience: the beauty of animals. Michael Lewis’s new book wonderfully reawakens us to that crucial dimension. With historical sensitivity and dialectical precision, Lewis guides his reader through a complex tradition of continental thought in animal aesthetics and ultimately helps us to ask the questions that the beauty of animals poses about the nature of philosophy itself. 
*Thomas Greaves, Senior Lecturer in Philosophy at the University of East Anglia*

This beautiful book asks an entirely novel question: how can philosophy think the animal so as to be able to conceive of its beauty? Being successful with this task also means overcoming our own alienation from nature. Through the strangeness of the animal which proves its special charm, we learn to see philosophy anew: with and beyond Kant and Hegel.
*Tanja Staehler, Professor of European Philosophy, University of Sussex*

The analysis of beauty and charm in animals, drawn from the margins of philosophy to the very core of the structure of our thinking, is a brilliant invention based on an original concept of the “fossilized dialectics” to which the gaze of the animal, previously ignored by philosophers, but estimated by poets such as Rilke or Baudelaire, becomes a witness. A cat philosophy, speaking seriously, reinvents such philosophical categories and oppositions as the good and the “bad” infinite, the two kinds of immortality, the beautiful and the ugly, and reconsiders the fundamental problems of life, death and undeath.
*Oxana Timofeeva, Associate Professor in the Department of Political Science and Sociology at the European University of St. Petersburg; Senior research fellow at the Russian Academy of Science*