Ben Fountain is the author of the acclaimed short-story collection Brief Encounters with Che Guevara and the novel Billy Lynn's Long Halftime Walk, which won the 2012 National Book Critics Circle Award for Fiction, the 2012 Los Angeles Times Book Prize for Fiction and the 2012 Flaherty-Dunnan First Novel Prize, and was shortlisted for the 2012 National Book Award. The film adaptation of Billy Lynn's Long Halftime Walk was directed by Ang Lee. In addition, he has received the PEN/Hemingway Award, the Barnes & Noble Discover Award for Fiction, an O. Henry Award and two Pushcart Prizes. He was also shortlisted for the International Author of the Year Award in 2012. His writing has been published in Harper's, The Paris Review, Zoetrope: All-Story and Stories from the South: The Year's Best, The New York Times and the Guardian among other publications. He lives in Dallas, Texas.
The highly acclaimed novelist brandishes a full array of literary
tools, including song, verse, historical anecdotes, piles of
research and plenty of satisfying takedowns to keep you on his ride
. . . Fountain wants the country to burn. No one gets out of his
book unscathed . . . His brutal observations could easily be the
main feature of his work, yet Fountain has more important things to
say and more ingenious ways to say them * * New York Times * *
Elegiac . . . Pitched halfway between political reportage and Great
American Novel, it breathes literary life back into what has become
a very familiar story * * Guardian * *
No book published this year gave me more pleasure than Ben
Fountain's Beautiful Country Burn Again, a wide-ranging collection
of despatches about the Trump election campaign. Very much in the
freewheeling tradition of Hunter S. Thompson, Norman Mailer and
Joan Didion, it's a stylistic tour de force and very funny * * New
Statesman, Best Books of 2018 * *
A masterpiece of a book, the true story of American possibility --
DAVID FINKEL, the Pulitzer Prize-winning author of THE GOOD
SOLDIERS
His eye for the absurd and ability to draw attention to the sheer
strangeness of America made him a perfect observer of 2016 . . .
Funny and also horrifying, Fountain has spectacular historical
reach * * Guardian * *
Fountain has the storytelling gifts to bring the world home to us
and a moral compass set to true north -- GARY SHTEYNGART
Fountain is a superb writer * * Irish Times * *
An engaging meditation on two large questions that surely preoccupy
many Americans these days: What on Earth happened in and to the
United States in 2016? And why did it happen? . . . Fountain
confronts both these riddles in creative and provocative ways that
force a reader to think hard . . . The novelist's talents that won
him the 2012 National Book Critics Circle Award for Billy Lynn's
Long Halftime Walk are on display on nearly every page * *
Washington Post * *
A powerful chronicle of the 2016 election and the most surreal year
in American politics . . . There may be no writer alive today who
better captures the manic, fevered, paranoid style in 21st-century
America than Ben Fountain . . . In Fountain's hands, the story of
what happened in 2016 reads anew, fresh, alive, told with a
historian's rigor and a satirist's wit . . . Fountain writes
brilliantly about the spectacle of the last election. At its best,
Beautiful Country Burn Again sits alongside Hunter S. Thompson's
Fear and Loathing on the Campaign Trail '72 and Joan Didion's
coverage of the 1988 presidential campaign as some of the best
political writing of the past 50 years * * Rolling Stone * *
Fountain brings a unique and thoughtful assessment to the subject
matter. With fluid, captivating writing and hilarious quotes and
descriptions, he details each candidate's foibles, blithely ticking
off each month of the campaign . . . It's not a new message; many
other writers have offered similar versions. But not only is
Fountain more entertaining, he more clearly illustrates how a
cultural undercurrent of divisive economic interests, which has
caused this nation to go up in flames in the past, is once again
driving a populist surge against the status quo * * Seattle Times *
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