Preface
Chapter 1. Introduction: Biography in Modern
History—Modern Historiography in Biography
Simone Lässig
Chapter 2. Biography and the Historian:
Opportunities and Constraints
Ian Kershaw
Chapter 3. Dreams and Nightmares: Writing the
Biography of Kaiser Wilhelm II
John C.G. Röhl
Chapter 4. Gustav Stresemann: A German
Bürger?
Karl Heinrich Pohl
Chapter 5. Women’s Biographies—Men’s
History?
Angelika Schaser
Chapter 6. Historiography, Biography, and
Experience: The Case of Hans Rothfels
Jan Eckel
Chapter 7. A Historian’s Life in Biographical
Perspective: Johan Huizinga
Christoph Strupp
Chapter 8. The Heroic Ecstasy of Drunken
Elephants: The Substrate of Nature in Max Weber—A Missing Link
between his Life and Work
Joachim Radkau
Chapter 9. Generational Experience and
Genocide: A Biographical Approach to Nazi Perpetrators
Michael Wildt
Chapter 10. Criminal Biographies and
Biographies of Criminals: Understanding the History of War Crimes
Trials and
Perpetrator “Routes to Crime” Using Biographical Method
Hilary Earl
Chapter 11. From Himmler’s Circle of Friends to
the Lions Club: The Career of a Provincial Nazi Leader
Hartmut Berghoff and Cornelia Rauh-Kühne
Chapter 12. Contexts and Contradictions:
Writing the Biography of a Holocaust Survivor
Mark Roseman
Chapter 13. The Improbable Biography: Uncommon
Sources, a Moving Identity, a Plural Story?
Willem Frijhoff
Chapter 14. Structuralism and Biography: Some
Concluding Thoughts on the Uncertainties of a Historiographical
Genre
Volker R. Berghahn
Bibliography
Notes on Contributors
Volker Berghahn is the Seth Low Professor of History at Columbia University where he moved in 1998 from Brown University, after a longer spell of teaching at the University of Warwick in England. The author of more than a dozen books, he has long been interested in the challenges of modern biography. In 1993, he published a study of the industrialist Otto A. Friedrich and his role in the reconstruction of West German industry after 1945. His America and the Intellectual Cold Wars in Europe uses Shepard Stone—renowned journalist, Ford Foundation officer in charge of its European and international programs, and the first director of the Berlin Aspen Institute—as a window to the trans-Atlantic world of American and European intellectuals and scholars, many of whom were associated with the Congress for Cultural Freedom during the Cold War.
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