'I judge it his best yet, which I should make clear is saying a great deal' - Observer
Ian McEwan is the critically acclaimed author of seventeen books. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His novels include The Child in Time, which won the 1987 Whitbread Novel of the Year Award; The Cement Garden; Enduring Love; Amsterdam, which won the 1998 Booker Prize; Atonement; Saturday; On Chesil Beach; Solar; Sweet Tooth; The Children Act; and Nutshell, which was a Number One bestseller. Atonement and Enduring Love have both been turned into award-winning films, The Children Act and On Chesil Beach are in production and set for release this year, and filming is currently underway for a BBC TV adaptation of The Child in Time.
Having lost his parents in an auto accident when he was eight years old, the narrator of McEwan's splendid new novel is fascinated with other people's parents--particularly his remarkable in-laws, indissolubly linked yet estranged and combative almost since their wedding. A man of reason who was once a Communist, Bernard Tremaine cannot understand why his wife, June, rejected political activism for spiritual quest after ``an encounter with evil'' in the form of two fierce black dogs. McEwan does not so much tell their story as the story of the son-in-law's efforts to understand them better by writing about them. Though Bernard and June represent diametrically opposed ways of looking at the world--two views beautifully and succinctly captured by McEwan--they are not mere vessels of thought but lively, distinctive characters in their own right. As the narrator returns to the French countryside where June fatefully encountered the dogs, the deceptively simple buildup makes her brush with violence all the more shocking. A novel of ideas with the hard edge of a thriller; highly recommended.--Barbara Hoffert, ``Library Journal''
In this slim, provocative novel, McEwan ( The Innocent ) examines the conflict between intellect and feeling, as dramatized in one couple's troubled relationship. The narrator is fascinated by his wife's estranged parents, The lives of June and Bernard Tremaine, whose lives epitomize the tug-of-war between political engagement and a private search for ultimate meaning: their ideological and spiritual differences force them apart but never diminish their mutual love. The catalytic event in the Tremaines' lives occurs on their honeymoon in France in 1946. With the characteristic idealism of their generation, both had joined the Communist Party, but June is already becoming disenchanted with its claims. In an encounter with two huge, ferocious dogs--incarnations of the savagely irrational eruptions that recur throughout history--she has an insight that illumines for her the possibility of redemption. Liberally foreshadowed, --the bloodthirsty beasts are used as an overarching metaphor for the presence of evil in the world-- the actual episode with the dogs is not depicted until the book's final section, where its impact requires the reader to take a leap of faith similar to June's. For some this pivotal scene may not be fully convincing. Indeed, McEwan is rather too didactic in the exposition of his theme, so one may expect too much from the novel's dramatic main event. Yet the work is impressive; McEwan's meticulous prose, his shaping of his material to create suspense, and his adept use of specific settings--Poland's Majdanek concentration camp, Berlin during the dismantling of the Wall, a primitive area of the French countryside--produce a haunting fable about the fragility of civilization, always threatened by the cruelty latent in humankind. (Nov.)
Powerful... Unforgettable * Sunday Telegraph *
His best yet, which I should make clear is saying a great deal * Observer *
Brilliant...a meditation on the intoxications of violence and the redemptive power of love * New Yorker *
Superbly evocative prose... The novel's vision of Europe is acute and alive, vivid in its moral complexities * New York Times Book Review *
Compassionate without resorting to sentimentality, clever without ever losing its honesty, an undisguised novel of ideas which is also Ian McEwan's most human work * Times Literary Supplement *