Catherine Fletcher is a historian of Renaissance and early modern Europe. Her first book, The Divorce of Henry VIII, brought to life the Papal court at the time of the Tudors. She consulted on the Golden-Globe-winning TV miniseries Wolf Hall and regularly broadcasts for BBC radio. She is Associate Professor in History and Heritage at Swansea University and has held research fellowships in London, Florence and Rome.
"[O]ffers an engrossing envoi that contextualizes this prince's
little-known legacy....Sure-footed and novelistic....[O]ffers fresh
research while also soliciting a broad popular readership."--John
Gagné, The Historian"[A]n enviably accessible and entertaining
prose style...Recommended."--CHOICE"[A] gripping narrative...It is
impossible to finish this medieval melodrama without thinking that
it would make a riveting series for an enterprising TV
producer."--The Economist
"Fletcher's first book, The Divorce of Henry VIII, was a study of
Vatican intrigue that demonstrated her ability to use rarely
accessed Italian archives to create a gripping and original account
of a well-worn subject. Here she has used the same skills to even
greater effect, creating a compelling portrait of a forgotten
man--himself both brutal and brutalised--once at the very heart of
the Renaissance world order. Her narrative follows the
extraordinary arc of Alessandro's life closely, but also uses it to
illuminate the bloody opulence of Renaissance Italian politics in
all its squalid, operatic glory." --The Financial Times
"Nothing in sixteenth century history is more astonishing to our
era than the career of Alessandro de' Medici. His story, told by an
exact and fluent historian, challenges our preconceptions.
Catherine Fletcher's eye for the skewering detail makes the
citizens of renaissance Florence live again: courtesans and
cardinals, artists and assassins." --Hilary Mantel, author of Wolf
Hall
"Fletcher displays an excellent comprehension of the Medici family
and Renaissance political maneuvering. The connections between
ruling and royal families, intermarriages, feuds, and
assassinations can boggle the mind, but she carefully separates
friends from enemies... Medici fans will expand their awareness of
the family's broad reach, and Renaissance students will discover
Machiavelli's models for The Prince." --Kirkus
"This is an accomplished and original account of an extraordinary
and much misrepresented episode in Italian history. Catherine
Fletcher provides a newly sympathetic portrait of a monarch whose
rule in Florence was even more unlikely than Henry VII's presence
on the English throne." --Diarmaid MacCulloch, author of The
Reformation"In this revelatory work, Fletcher rescues [Allessandro
de' Medici] from the well-known caricature his opponents
manufactured while revealing his strengths and weaknesses as an
often populist Medici prince...Throughout this compelling
narrative, de' Medici's unlikely story and extraordinary life
finally feel revealed as Fletcher gives him a welcome new complex
legacy." --Publishers Weekly, Fall 2016 "Top Ten Picks for History"
"Fletcher paints a perceptive picture of mixed loyalties, jealousy
and duplicity... The most revealing arguments of the book regard
Alessandro's ethnicity and what it did, or more importantly did
not, signify to contemporaries. Fletcher's book is extensively
researched and, like the best stories, a compelling read."
--Historical Novels Review"A scintillating book that glisters and
gleams with stabbings, poisonings, adultery and intrigue-and a
startling reminder of how visceral and dangerous Renaissance
Florence was. The drama of events is perfectly complemented by
careful scholarship and lucid writing. This is everything a
historical biography should be." --Ian Mortimer, author of The Time
Traveller's Guide to Medieval England
"Packed with intrigue...Fletcher describes with cool menace the
plotting and politicking that dominated Alessandro's rule...
brought splendidly to life in this excellent book." --Dan Jones,
Sunday Times (UK)
"Like a detective, Fletcher interrogates her witnesses...But it is
among the detailed records of Alessandro's wardrobe-keepers that
she finds her treasure...These lend her narrative a sensuous
vividity." --Frances Wilson, Sunday Telegraph (UK) "As gripping as
Othello... Fletcher's approach is scholarly yet dramatic, immersed
in Renaissance glamour." --The Spectator
"Bold, Breathless and full of suspense." -- Daisy Dunn, The Times
(UK)"Catherine Fletcher is entirely at ease amid the Renaissance
world and its archival resources, and her details, particularly
those involving dress, feasting, and ceremonial, are generously
deployed in the work of recovering a neglected episode of
Florentine history." --Literary Review
"Fletcher recounts [Alessandro de' Medici's] life, and even more so
the times, in clear and often vivid prose with an eye for
interesting detail." --Los Angeles Review of Books
"The Black Prince is a dark and murderous tale that is
exceptionally well-told. It leaves the reader rushing from page to
page wanting more."--New York Journal of Books
"Fletcher's research is impeccable... and her attention to detail
proves excellent."--Washington Free Beacon
"An absorbing tale of betrayal and deadly political alliances
during the Renaissance."--Washington Independent Review of
Books
"Alessandro de' Medici's life in sixteenth-century Italy speaks
volumes about the emerging category of race. In the time since his
death, Alessandro has been accorded a dual identity: as the black
tyrant who put a violent end to the republican liberty of Florence
and as the first person of black African ancestry to rule a major
city-state during the Renaissance. Both stories settle on race as
definitive of Alessandro's historical significance, notwithstanding
the fact that a clear definition of race cannot be had." --
Renaissance Quarterly
"With meticulous attention to detail, in The Black Prince of
Florence Catherine Fletcher eloquently sets the life of Alessandro
against the backdrop of papal power and crisis of dynastic
legitimacy."--Renaissance and Reformation
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