NEIL SMITH is a French to English translator who lives in Montreal. His first book, the story collection Bang Crunch, was published around the world to critical acclaim and was chosen as one of the best books of the year by the Globe and Mail and the Washington Post. Boo is his first novel.
“Original, wickedly funny and avoiding overt sentimentality,
Smith’s writing is consistently assured. As Boo matures and learns
the value of mercy, forgiveness and friendship in a strange
democratic heaven, his story proves both moving and surprisingly
hopeful.” —Financial Times
“Instantly charming, never predictable, quietly profound—Boo is
both literarily and literally haunting and, in the end,
devastating.” —Bryan Lee O’Malley, author of Seconds and the Scott
Pilgrim series
“A coming of age tale flipped on its head, with a subtle depth and
poignancy. Readers will feel torn between sadness and hopefulness
throughout the story, and by the end just may feel the urge to go
hug their loved ones.” —The Rumpus
“Imagine that heaven was segregated by age and geography? Neil
Smith did and ended up with this wonderful tale of 13 year old
Oliver ‘Boo’ Dalrymple who wakes up in heaven for thirteen-year-old
Americans without any idea of how he got there. What follows is
part mystery, part adventure and a glimpse into what the world
might be like if it was run by thirteen-year-olds. I was utterly
charmed by this book and you will be too.” —Huffington Post
“Remarkable. . . . A pleasure to read. The sensibility is wry,
the story compelling despite all the undertones of irony. But it is
the sprightliness of the language that matters most.” —National
Post
“A phenomenal book by a singular talent. . . . In short, I fell in
love with Boo Dalrymple. It has been ages since a character in a
novel captured both my attention and my heart to this degree. . . .
Boo is an extraordinary book, full stop. No qualifiers, no ifs, no
ands, no buts. It is a wildly compelling, unique story brought to
life by a fascinating narrator.” —Allen Adams, The Maine Edge
“A breakout debut from Smith. . . . Boo is a quirky page-turner
that takes readers on a poignant, and at times dark, journey. If
you liked early 2000s indie Wristcutters, you're going to love
this.” —Nylon, “Summer Reading Guide”
“A book worth picking up. Smith's writing is fluid and precise, and
his characters' voices feel authentic and comforting. A twist in
the story and an adventure that spins out of the main tale will
keep readers turning pages until the very end. . . . A fascinating
look at what happens when our minds grow while our bodies remain
unchanged, all set against the backdrop of the anguish and struggle
of forever being a teen. . . . Smith's quirky afterlife is a unique
vision of what heaven might be.” —Winnipeg Free Press
“Part murder mystery, part existential adventure, Boo is an utter
charm-bomb of a novel. Neil Smith’s version of the sweet hereafter
shows not only that heaven can be hell, but answers the eternal
question of whether it’s better to be dumber with friends or
smarter without.” —Zsuzsi Gartner, author of Better Living Through
Plastic Explosives
“Utterly believable. . . . Magical in its setting and plot, there
is also a strong element of fable to the book. . . . For all its
dead characters, the novel is alive from the outset. Town is a
captivating landscape, far away from Hollywood notions of heaven.”
—Irish Times
“Part murder mystery and part coming-of-age story, Boo is a fresh
take on life, death, and friendship. . . . Smith’s first novel is
testament to his immense imagination.” —Pop Matters
“A splendidly confident debut novel, a fantasy of emotional
healing in a unique afterlife. . . . Smith smoothly develops
his vision of an afterlife in which a theoretical god supplies
random items from the living world, electronics run without power,
and kids are left to their own devices. The story is never about
providing solid answers, but readers who appreciate that sort of
ambiguity will find that the emotional payoffs are both surprising
and moving.” —Publishers Weekly (starred)
“A delicious plum pudding of perspectives on spirituality. For
starters, the novel is a half-tribute to, half-send-up of Waiting
for Godot.” —Vancouver Sun
“Compelling and increasingly poignant. . . . One minute 13-year-old
Oliver ‘Boo’ Dalrymple is standing in front of his locker at Helen
Keller Junior High School reciting the periodic table to himself
(yeah, he’s that kind of boy); the next, he wakes up in bed in a
place called Town. . . . The story Boo tells is endlessly
intriguing and entertaining as it contemplates the presence—or
absence—of God, whom the kids call Zig, while revealing surprising
and disturbing truths about the [character’s] previous lives and
deaths. Fans of the offbeat will think they’ve died and gone to
Town—er, heaven.” —Booklist (starred)
“Neil Smith has created a heaven where the sadness and triumph of
life aren’t flattened or diminished but heightened and intensified.
Just like you always suspected it would be. Boo is sad, beautiful,
heartbreaking and impossible to put down.” —Andrew Kaufman, author
of All My Friends Are Superheroes and Born Weird
“Boo is an astoundingly original novel and Neil Smith's take on the
afterlife is convincing, moving, and often funny as hell. A vision
equal parts Murakami and South Park.” —Emily Schultz, author of The
Blondes
“Who knew heaven could be so funny, so perilous, so exquisitely
alive? Boo is a work of singular genius: an adventure story, a
mystery and a profound meditation on childhood, lost innocence and
the power of friendship to save our lives—and afterlives. I believe
in Neil Smith’s heaven, with all my heart.” —Jessica Grant, author
of Come, Thou Tortoise
“A touching tale of what friendship and growing up can mean. . . .
The novel has an understated message about gun control and bullying
and is a fine portrayal of Boo’s emergence from the carapace of
fear, distrust, and solitude he grew for himself in his short life.
Smith is often amusing in cute and clever ways, but there’s a
slyer, more satisfying humor in the twins Tim and Tom Lu, who owe
something to Lewis Carroll’s Tweedledum and -dee.” —Kirkus
Reviews
“An original and masterfully told debut novel, a dark and deeply
affecting depiction of the hereafter. . . . Smith delivers a
splendidly confident debut novel, a fantasy of emotional healing in
a unique afterlife.” —Largehearted Boy
“[Smith] has hit a home run with Boo. . . . All ages will find the
novel disturbing, humourous, and absolutely authentic. . . . As the
tale unfolds, it becomes darker, richer, and ghoulish, while the
spare, conversational prose never patronizes either its reader or
diverse cast of eccentrics. . . . Be prepared for surprises. Big
surprises. And a desire to reread the entire novel to note the
clues missed in the first go.” —Quill & Quire (starred)
“Perfectly drawn. . . . An insightful look at serious issues
affecting today’s teenagers—bullying, mental illness, suicide and
school shootings. It is the kind of book that should be taught in
high school English-lit classes across the country. . . . Surprises
pile up as mysteries are solved. The result: Boo is a definite page
turner for both adult and teen readers.” —Ottawa Citizen
“An adventure story, and a fable about friendship. . . . In Boo,
Smith brings his off-the-wall imagination to a whole other realm:
the afterlife. . . . He tells us what kind of toothpaste they use
in heaven (baking soda), and what kind of houses they live in
(red-brick dormitories that look like housing projects). He tells
us that there are no insects in heaven and that people get high by
smoking chamomile leaves instead of dope. . . . [Boo] might seem
lighthearted . . . but there is an undercurrent of deep loss.”
—Montreal Review of Books
“A very fast-paced, original and inventive story, with a foundation
in emotional intelligence, honesty and flaw. . . . The voice of the
scary-smart weird teen, in tandem with the narrative setting, leads
you to think this is some crossover between The Lovely Bones and
Extremely Loud and Incredibly Close. Though the book exhibits
qualities of both, it takes a quick turn to Lord of the Flies. . .
. [The] novel’s thematic questions—a terrifying high-wire act—are
huger than huge. Smith ventures to convey a reality about bullying
and mental health that is far braver than any you’ve ever read, as
Boo is a spelunking adventure deep into the caves of life, death,
good, evil, mortality, loss and grief. . . . The construction of
plot is unlike any you’ve ever seen. . . . You’ll find that the
very devastating thoughts of this thirteen-year-old are shockingly
intimate, relatable and, in their own way, true” —Lambda Literary
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