Did the dead exist? Were they watching? Were they ghosts? Not the kind he'd imagined as a child, draped with white sheets, with the ability to walk through walls, but the kind that lodged themselves in your heart, in your memories, the kind that came to you in dreams, that you could see when you closed your eyes and sometimes even when your eyes were opened.
Enza Gandolfo is a Melbourne writer and an honorary professor in creative writing at Victoria University. She is interested in the power of stories to create understanding and empathy, with a particular focus on feminist and political fiction. The co-editor of the journal TEXT and a founding member of the Victoria University Feminist Research Network, her first novel, Swimming (2009), was shortlisted for the Barbara Jefferis Award.
`One of the most profoundly moving and beautiful books I have read all year, brimming with love, honesty, and insight. A true gem of a novel.' - Alice Pung `This exquisite, moving story from Gandolfo captures the raw, wide-reaching pain of the tragedy, long regarded as Australia's worst industrial accident.' - Herald Sun `Superb ... Utterly heartbreaking.' -ANZ LitLovers `A poignant novel which examines class, grief, guilt and moral culpability, The Bridge weaves together two vastly different yet interrelated narratives.' -Il Globo `[A] dramatic and dynamic novel ... This is a novel about everyday tragedy written in everyday language. Clarity prevails over lyricism. Dialogue is colloquial and lively. Carefully articulated sentences give way, in moments of anger, to more truncated phrasing and, in the closing chapters, to snappier prose that creates a sense of urgency ... Her skill as a storyteller and her ability to create complex and empathetic characters gives weight to her fiction and invites the reader to question her own integrity and sense of self-worth, not without compassion.' -Australian Book Review `[Enza Gandolfo] doesn't shy away from the unpleasant emotions of her characters, and paints a startlingly real and believable picture of lives impacted by these kinds of tragedies.' -Good Reading `Gandolfo writes that "things that were solid crumbled" and she documents with painstaking intricacy the grieving and guilt of survivors. It is a masterful portrayal of families torn apart, searching for redemption in an unforgiving world.' -Sunday Territorian `[A] stunningly wrenching exploration of coping with grief. It is an exceptional, exemplary work from this professor of creative writing.' -Dominion Post Weekend