Introduction
Chapter One: The Trinity
1. Introduction
2. Augustine, Signs, and the Trinity
3. Karl Rahner’s Symbolized and Symbol
4. De Lubac’s Sacramental Pneumatology
5. Conclusion: Symbolized-Symbol-Symbolism
Chapter Two: Creation
1. Introduction
2. Two Trinitarian Models
3. Aquinas on Creation
4. Duns Scotus
5. Conclusion
Chapter Three: Humanity
1. Introduction
2. Nature and Grace
3. Anthropology and Fourfold Exegesis
4. Mary the Exegete
Chapter Four: the Church
1. Introduction
2. Symbolism and Ecclesiology
3. A Few Critiques
4. Conclusion
Chapter Five: Toward Mystical Reason
1. Introduction
2. From Mysteries to Mystery
3. From Mystery to Mysticism
4. From Mysticism to Mystical Reason
Conclusion
Bibliography
Index
An exploration in trinitarian theology and its relation to other key themes in Christian theology through a theology of the symbol in dialogue with Henri de Lubac, Karl Rahner, Aquinas and Augustine.
Joshua Mobley is a Lecturer at Baylor University, USA.
Joshua Mobley offers a scintillating theology of the symbol, moving
across key areas of Christian doctrine in conversation with
Augustine, Aquinas and modern Catholic theologians. In both its
critical and constructive modes, this is an original and
challenging work of systematic theology.
*Simon Oliver, Durham University, UK*
Mobley’s excellent book begins with De Lubac’s allusive references
to the “symbolic” nature of Patristic theology, takes flight with a
vision of the Trinity reliant on the analogy of symbol, and soars
into an account of reality and its redemption using the language of
symbolised-symbol-symbolism.
*Lewis Ayres, Durham University, UK*
One of the most interesting works of systematic theology I have
read in some time: simultaneously original and traditional,
powerful, clear and beautifully written. An extraordinary book.
*Karen Kilby, University of Durham, UK*
This is an adventurous and challenging metaphysical experiment,
elaborating Henri de Lubac's "symbolism" as a theological mode
capable of holding practice and speculation in creative
tension.
*Judith Wolfe, University of St Andrews, UK*
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