Robin Wood has stubbornly resisted the trends of academic film studies and in so doing has remained one of its most influential voices. Certain to be of interest to film scholars and students, this book will also be particularly useful as a text for university courses on Hawks, popular cinema, and authorship in film
Even if you don't agree with Robin Woods claim in his introduction that Britton was, and remains, quite simply, the greatest film critic in the English language," this hefty collection, 534 large-format pages long, certainly proves that Wood's cantankerous Marxist disciple, who published mainly in Movie (UK) and CineAction (Canada), was a formidable figure."-- "Film Comment"
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