Table of Contents

CoverTitle pageCopyrightContentsAcknowledgmentsIntroduction: A Movement Architect1. Designing the Future: Black in a Negro Company2. A Local Construction S3. Expansion Plans: Asymmetries of Pan-African Power4. Scaling Back: Closure, Crisis, and Counterrevolutionary Times5. Abandoning the Past: Effacing History and Confronting SilenceCoda Maintenance, Reconstruction, and Demolition: Contests for Black Creative ControlNotesBibliographyIndex

About the Author

Jonathan Fenderson is an assistant professor of African and African American studies at Washington University in St. Louis.

Reviews

"Fenderson traces the rise and fall of Black Arts Movement through Fuller's professional and personal endeavors and elucidates the larger implications of the movement through the microcosm of Fuller and his environs. Fenderson convincingly contends that Fuller should take his rightful place in the scholarship as a pivotal intellectual architect who helped build the artistic component of the Black power movement." --Journal of American History
"Building the Black Arts Movement is both thoroughly researched and beautifully written with a sharp class and gender analysis. As such, it will reshape how historians approach this movement and its historical actors." --Journal of African American History
"Fenderson succeeds in challenging readers to rethink Fuller's times by presenting a counternarrative to the oftentimes overly harmonious representation of Black social movements in the United States." --Journal of Folklore Research