Juliet Marillier was born in 1948 in Dunedin, New Zealand. She has worked as a music teacher, opera singer and tax assessor, but is now a full-time writer. Her historical fantasy novels for adult readers are published internationally and have won a number of awards. Juliet lives in a hundred-year-old cottage by the Swan River in Perth. She shares her house with a kelpie cross, a miniature pinscher and a tri-coloured cat. She loves history, folklore and travel.
As the daughter of Niamh of the Sevenwaters Clan, Fainne possesses a magic born of the land itself. Instructed by her grandmother, the sorceress Oonagh, Fainne believes she has a destiny to bring about a terrible change in the world. This conclusion to Marillier's historical fantasy, set in an Ireland known only through legends, features a young woman poised between prophecies, destined to decide the fate of her people and the magic entrusted to them. The author captures the feel of myth in this Celtic-laced saga that belongs in most fantasy collections. Copyright 2002 Cahners Business Information.
In the final book in her Sevenwaters Trilogy, Australian Marillier gathers the threads from the first two (Daughter of the Forest and Son of the Shadows) and weaves them together into a rich tapestry of love and loss, family loyalty and personal sacrifice. The saga of the guardians of the forest at Sevenwaters takes up the story of Fainne, daughter of the former Druid Ciaran and the lost Niamh. Raised in the ways of magic, Fainne plans to become a solitary sorcerer like her father, but fate intervenes in the form of her grandmother, Oonagh, a sorceress with a penchant for cruelty and a desire to put an end to everything the Sevenwaters folks stand for. A prophecy tells of a way to preserve the old magic, and Lady Oonagh is willing to trick her granddaughter and torture her own son to break it. Though Fainne is forced to bow to her grandmother's will, the love of her family and her own strong ethics help her remember her true nature, as she learns about herself, her powers of sorcery and the part she plays in a prophecy that has tested three generations of women. Though the romance elements that dominated The Son of the Shadows occasionally appear, this book centers on personal growth and filial duty; it can be enjoyed as a read-alone book, but is better understood with the preceding titles. Marillier's strong voice and rolling, lucid prose seem appropriate for a 10th-century Irish tale, and her command of a fantasy story's elements make this an excellent conclusion to a fine trilogy. (Mar. 27) Copyright 2001 Cahners Business Information.