Part I: Another Kind of Introduction
Why Office Killer Deserves Your Attention (And How It First Grabbed Mine)
Character Reference Guide
Office Killer Plot Synopsis
Part II: Another Kind of Art
Conception: In Art We Trust
Direction: Sherman’s March
Production: The Big Picture
Part III: Another Kind of Entertainment
How to Look at Office Killer (And What I Missed the First Time)
Part IV: Another Kind of Commentary
Considerations: Cast, Costumes, and Characters
Conversations: Noir, Horror, and Comedy
Considerations: Disease, Technology, and the Workplace
Comparisons: Working Girl, Basic Instinct, and What Ever Happened to Baby Jane?
Part V: Another Kind of Conclusion
How Office Killer was Absolutely Right about Everything (Yet Still Managed To Fail So Miserably)
Study Guides 175
Office Killers: Character Crib Notes
Textual Insanity: Relationships to Other Movies
Horrific Experiences: Interviews with Christine Vachon, James Schamus, Todd Thomas, and Tom Kalin
Film Credits and Cast List
Dahlia Schweitzer is adjunct professor at the Art Institute in North Hollywood, California, as well as a critic, novelist, and performer.
'An immersion in the world of 'Office Killer''
*Will Brooker, editor of Cinema Journal*
'Smart, sassy, and scholarly all at once, this is a wonderful
book'
*Toby Miller*
'Schweitzer succeeds in doing what she set out to do--valorizing
'Office Killer'— by dissecting it in such a vivid and compelling
way that it can be seen in a new light. Even though I appeared in
the film, I dismissed it, along with everyone else. But I now see
its importance—and its connections to films like Mildred Pierce,
which I just so happen to love. Reading the book, I felt like I was
in my very own seminar with Professor Schweitzer, emerging from the
experience with knowledge of Cindy Sherman, mass media, gender
identity, and more. '
*Florina Rodov, who played the receptionist in 'Office Killer'*
'Constitutes an astute but always accessible guide through the film
itself and the multiple relevant critical contexts she points to
incisively as informing it.'
*Deborah Jermyn, Reader in Film and TV, University of Roehampton*
|
Ask a Question About this Product More... |
|
