Table of Contents

Introduction. Part One. Birth. Tsotsi. Million Dollar Baby. Part 2. Trois Couleurs: Bleu. Trois Couleurs: Blanc. Trois Couleurs: Rouge. Part 3. The Son’s Room. Spring, Summer, Autumn, Winter…and Spring. Morvern Callar. Approaching the Tree of Life. The Tree of Life. Envoi. Glossary. References. Index.

About the Author

John Izod is Emeritus Professor of screen analysis at the University of Stirling. He has published several books, including Screen, Culture, Psyche: A Post-Jungian Approach to Working with the Audience (Routledge).


Joanna Dovalis is a marriage and family therapist with a doctorate in clinical psychology, specialising in grief work. She works in private practice in southern California, USA.

Reviews

'This book could make a very fitting contribution to the self-awareness components of psychotherapy and counselling programmes, as well as modules on grief and loss, affect and imagery' – Colin Feltham, Emeritus Professor of Critical Counselling Studies, Sheffield Hallam University, in Therapy Today‘In this remarkable and luminous book, Izod and Dovalis reveal something never previously so urgently expressed about cinema and psyche; that the study of one needs the study of the other, if the modern soul is not to suffer serious neglect. Cinema as Therapy: grief and transformational film traces in works as diverse as Million Dollar Baby, Krzysztof Kieslowski’s Trois Couleurs trilogy and Tree of Life, patterns that invoke deep psychic structures to confront the paralysing human condition of grief, loss and death. The result is a book that shows film as a necessary processing of trauma into transformation; film leads us to the sacred and to becoming whole.’ - Susan Rowland PhD, Pacifica Graduate Institute, USA.‘Izod and Dovalis sensitively detail the capacity of film to reveal the displacement and repression of grief, the isolation of loss, and the various stages of surrendering the loved object. In Cinema as Therapy we engage with those who inhabit the liminal spaces of grieving and memory – we follow their submission and emergence. This is a book for those who appreciate how screen stories can tap into both our deepest uncertainties and the resilience that protectively shadows us.' - Terrie Waddell, La Trobe University, Australia. 'This book is a vital step forward for the movement of arts therapy in the dealing of trauma and grief. [It] succeeds in its intention to encourage people to explore psychological depth in film. [...] Fundamentally, the authors of Cinema as Therapy reinforce and empower the intrinsic belief which we sometimes still find difficult to realise, that truly, we all have the power in us to change our own lives.' - Dr Eunan McCreesh, UK. 'Izod and Dovalis aim to occupy the gap in spcyhological perspectives on grief, therapy and cinema. In their poignant analyses of 10 films, beginning with Birth and culminating with The Tree of Life, the artfully examine the psychological journeys that unfold in the wake of overwhelming loss. In this eloquent and moving book, the authors achieve their aim and much more. Grief, therapeutic action, and film are brought into dynamic interplay by calling upon Winnicott's concept of transitional space and Stein's ideas about "Liminality". Izod and Dovalis maintain that it is precisely in the gap, the space containing absence, that a threshold forms where something new can emerge. What's more, the book generates a potential space between the reader and the topic of death [...] [This] book advances a dynamic interchange between the fields of film theory and depth psychology. [...] [This] profound volume [is] at the interstice of modern and postmodern discourse between fields of psychology, the arts, and human experience as a whole." -Kathy Trost, PhD, USA, PsycCRITIQUES 2015

‘In this remarkable and luminous book, Izod and Dovalis reveal something never previously so urgently expressed about cinema and psyche; that the study of one needs the study of the other, if the modern soul is not to suffer serious neglect. Cinema as Therapy: Grief and transformational film traces in works as diverse as Million Dollar Baby, Krzysztof Kieslowski’s Trois Couleurs trilogy and Tree of Life, patterns that invoke deep psychic structures to confront the paralysing human condition of grief, loss and death. The result is a book that shows film as a necessary processing of trauma into transformation; film leads us to the sacred and to becoming whole.’ - Susan Rowland PhD, Pacifica Graduate Institute, USA.‘Izod and Dovalis sensitively detail the capacity of film to reveal the displacement and repression of grief, the isolation of loss, and the various stages of surrendering the loved object. In Cinema as Therapy we engage with those who inhabit the liminal spaces of grieving and memory – we follow their submission and emergence. This is a book for those who appreciate how screen stories can tap into both our deepest uncertainties and the resilience that protectively shadows us.’- Terrie Waddell, La Trobe University, Australia.