Acknowledgments xi
Biographical Notes xii
General Introduction 1
Mette Hjort and Ted Nannicelli
Part I Artistic and Aesthetic Value 23
Introduction 25
Ted Nannicelli and Mette Hjort
1 A Plurality of Values: Art, Fine Art, and Motion Pictures
30
Paisley Livingston
2 Public Aesthetics and Artistic Value in Iranian Cinema 46
Khatereh Sheibani
3 Appreciating Nature through Film: A Defense of Mediated
Appreciation 69
Glenn Parsons
4 Reframing the Director: Distributed Creativity in Filmmaking
Practice 86
Karen Pearlman and John Sutton
Part II Moral Value/Ethical Value 107
Introduction 109
Ted Nannicelli and Mette Hjort
5 Screen Stories as “Imaginative Ecology”: A Thought Experiment
113
Carl Plantinga
6 Interactive Documentary and Ethics: Toward an Ethics of
Representativeness 130
Willemien Sanders
7 The Ethics of Filmmaking: How the Genetic History of Works
Affects Their Value 148
Mette Hjort
8 Film Production and Ethical Criticism 171
Ted Nannicelli
9 Emotion and the Cultivation of Ethical Attention in Narrative
Cinema 190
Jane Stadler
Part III Spiritual Value 209
Introduction 211
Ted Nannicelli and Mette Hjort
10 Abundant, at Ease and Expansive?: The Influence of Māori and
Polynesian Spirituality on 21st Century New Zealand Motion Pictures
213
Ann Hardy
11 Secularity, Transcendence, and Film 235
Roy M. Anker
12 The Poetics of Karma: Reincarnation and Romance 254
Richard Allen
Part IV Environmental /Ecological Value 279
Introduction 281
Mette Hjort and Ted Nannicelli
13 Ecocinema and Ecological Value 285
Robert Sinnerbrink
14 From Content to Context (and Back Again): New Industrial
Strategies for Environmental Sustainability in the Media 308
Pietari Kääpä and Hunter Vaughan
15 Jordnar Creative: A Danish Case Study of Green Filmmaking and
Sustainable Production 327
Anne Ahn Lund, Josefine Madsen, and Meryl Shriver-Rice
Part V Cultural, Social and Political Value 351
Introduction 353
Mette Hjort and Ted Nannicelli
16 Color Charts: A Cultural Chronicle of Non-Chinese Ethnic
Images in Hong Kong Cinema 357
John Nguyet Erni
17 Film Policy, Social Value, and the Mediating Role of Screen
Agencies 382
Ruth McElroy and Caitriona Noonan
18 Cinema as Ceilidh and Hui: The Place of the Audience within
Emergent Perspectives upon a Folk Cinema 401
Jamie Chambers
19 The Past and Future of Public Value: The End of an
Illustrious Career or Its Reinvention? 427
Tom O’Regan and Anna Potter
Part VI Cognitive, Educational, and Developmental Value 445
Introduction 447
Mette Hjort and Ted Nannicelli
20 Representing the Redacted: Depicting the “Torture Archetype”
in Film 450
Jared Del Rosso
21 Negotiating Power through Art: Participatory Video and Public
Value 469
Paul Cooke
22 Virtual Reality and the Rhetoric of Empathy 488
Dooley Murphy
Part VII The Value of Health 509
Introduction 511
Mette Hjort and Ted Nannicelli
23 Narrative Sense-Making in the Service of Health—A
Neurocinematic Approach 515
Pia Tikka
24 The Smoking Machine: Public Health Films and Public Value in
Britain and Denmark, 1950–1964 536
C. Claire Thomson
25 The Benefits of Genre: Feel-Good Films as a Path to Health
and Well-Being 558
Mette Hjort
26 Movies in the Closed Wards: Instruments of Mental Health in
Military Psychiatry 576
Kaia Scott
Index 597
Mette Hjort is Chair Professor of Humanities, Department of Humanities & Creative Writing, and Dean of Arts, Hong Kong Baptist University. Her research spans the fields of film and media studies, literary studies, theatre studies, and philosophy. She has authored and edited numerous works including A Companion to Nordic Cinema.
Ted Nannicelli is Senior Lecturer in Film and Television Studies, School of Communication and Arts, University of Queensland, Australia. He is the editor of Projections: The Journal for Movies and Mind and author of Artistic Creation and Ethical Criticism.
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