Table of Contents

Beyond Unity: Toward an Understanding of Musical Postmodernism
The Art-Science of Music after Two Millennia
Aspects of Confluence between Western Art Music and Ethnomusicoloy
Twelve-Tone Composition and the Music of Elliott Carter
An Analysis of Polyrhythm in Selected Improvisd Jazz Solos
A Generalization of Contour Theory to Diverse Musical Spaces: Analytical Applications to the Music of Dallapiccola and StockhausenStockhausen
A Generalization of Contour Theory to diverse Musical Spaces: Analytical Applications to the Music ofDdallapiccola and StockhausenStockhausen
The Beatles as Composers: The Genesis of Abbey Road, Side Two
Structural Factors in the Microcanonic Compositions of Gyorgy Ligeti
Theory, Analysis, and the "Problem" of Minimal Music
The Question of Climax in Ruth Crawford's String Quartet, Mvt. 3
Does the Song Remain the Same? Questions of Authorship and Identification in the Music of Led Zeppelin
Theories of Chordal Shape, Aspects of Linguistics, and their Roles in Structuring Berio's Sequenza IV for Piano
Stylistic Competencies, Musical Satire, and "This is Spinal Tap"
Music Theory and the Postmodern Muse: An Afterword