Prehistory; Part I. Time Whole: 1. From Babylonians to Franks; Part II. Time Measured 1100–1400: 2. Troubadours and organists; 3. Ars nove and Narcissus's clock; Part III. Time Sensed 1400–1630: 4. Harmony, the light of time; 5. The radiance of the High Renaissance; 6. Reformation and heartache; 7. To speak in music; Part IV. Time Known 1630–1770: 8. Baroque mornings; 9. Fugue, concerto and operatic passion; 10. Rococo and reform; Part V. Time Embraced 1770–1815: 11. Sonata as comedy; 12. Revolution's momentum; Part VI. Time Escaping 1815–1907: 13. The deaf man and the singer; 14. Angels and other prodigies; 15. New Germans and old Vienna; 16. Romantic evenings; 17. Nightfall and sunrise; Part VII. Time Tangled 1908–75: 18. To begin again; 19. Forwards and backwards, and sideways; 20. The people's needs; 21. To begin again again; 22. Whirlwind; Part VIII. Time Lost 1975–: 23. Echoes in the labyrinth; 24. Interlude; Glossary; Further reading and listening.
A brief history of western classical music which will appeal to all music lovers.
Paul Griffiths has written extensively on twentieth-century music, particularly on new music and the avant garde, and is one of the most influential music critics of his generation.
'… thought-provoking, compelling and remarkably comprehensive
narrative, this is easily one of the most thought-provoking,
enjoyable and stimulating reads on Western music to have been
published in the past ten years.' BBC Music Magazine
'Griffiths finds graceful ways of saying the conventional things
that have to be said and of slipping in the less conventional … a
fresh formulation of the riddle of past and present, and the
future.' Joseph Kerman, New York Review of Books
'A Concise History of Western Music (concise maybe, but substantial
enough to merit every one of its 350 pages) is a joy.' The Book
Depository
'… an extremely rich and thoughtful text … the whole thing reads
exquisitely …' Et cetera
'Hidden behind the deadpan title is an extremely rich and
thoughtful text: a concise history, as it say on the tin, but also
a warm meditation on the philosophy of music … Each chapter
culminates in a subtle cliff-hanger, and the whole thing reads
exquisitely.' Saturday Guardian, Review Supplement
'Paul Griffiths, adept at clear, succinct presentations, manages to
reduce the millennia and centuries to just 300 pages; and, to make
matters easier, he gives the terms without which the story cannot
be told, a brisk and lively explanation and encourages the reader
to read, listen further and think … an original and a stimulating
book. I hope others will find it so, too.' Methodist Recorder
'… an approachable and enjoyable tour of thousands of years of our
cultural history, in the company of a familiar and erudite guide.'
Tenby Observer
'The book is clearly laid out, with page-heading summaries making
it valuable for academic study.' International Record Review
'Griffiths is reknowned as a writer on new music, and this bias
brings a fresh perspective to his take on pre-20th century
composition.' Classical FM
'Griffiths is excellent on Dowland's and Monteverdi's subjectivity
…' The Times Literary Supplement
'Paul Griffiths manages to cover a huge number of composers and
musical styles in his comprehensive history. He shows a clear
understanding of the nature of the development of music in the West
and, though clearly argued, it is a dense read.' Reference
Reviews
'… text is filled with Griffith's typically excellent
thought-provoking observations …' The New York Review
'... thought-provoking, compelling and remarkably comprehensive
narrative, this is easily one of the most thought-provoking,
enjoyable and stimulating reads on Western music to have been
published in the past ten years.' BBC Music Magazine
'Griffiths finds graceful ways of saying the conventional things
that have to be said and of slipping in the less conventional ... a
fresh formulation of the riddle of past and present, and the
future.' Joseph Kerman, New York Review of Books
'A Concise History of Western Music (concise maybe, but substantial
enough to merit every one of its 350 pages) is a joy.' The Book
Depository
'... an extremely rich and thoughtful text ... the whole thing
reads exquisitely ...' Et cetera
'Hidden behind the deadpan title is an extremely rich and
thoughtful text: a concise history, as it say on the tin, but also
a warm meditation on the philosophy of music ... Each chapter
culminates in a subtle cliff-hanger, and the whole thing reads
exquisitely.' Saturday Guardian, Review Supplement
'Paul Griffiths, adept at clear, succinct presentations, manages to
reduce the millennia and centuries to just 300 pages; and, to make
matters easier, he gives the terms without which the story cannot
be told, a brisk and lively explanation and encourages the reader
to read, listen further and think ... an original and a stimulating
book. I hope others will find it so, too.' Methodist Recorder
'... an approachable and enjoyable tour of thousands of years of
our cultural history, in the company of a familiar and erudite
guide.' Tenby Observer
'The book is clearly laid out, with page-heading summaries making
it valuable for academic study.' International Record Review
'Griffiths is reknowned as a writer on new music, and this bias
brings a fresh perspective to his take on pre-20th century
composition.' Classical FM
'Griffiths is excellent on Dowland's and Monteverdi's subjectivity
...' The Times Literary Supplement
'Paul Griffiths manages to cover a huge number of composers and
musical styles in his comprehensive history. He shows a clear
understanding of the nature of the development of music in the West
and, though clearly argued, it is a dense read.' Reference
Reviews
'... text is filled with Griffith's typically excellent
thought-provoking observations ...' The New York Review
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