Table of Contents

Preface Part I: Performers and Performing Groups Individuals Performance Techniques Part II: Musical Production and Transmission Personnel Processes: Interpretative/Technological Technologies Part III: Musical Instruments Found Instruments Guitars Keyboard Instruments Mechanical Instruments Percussion Instruments Stringed Instruments Voice Wind Instruments Part IV: Musical Form and Practice Form Harmony Melody Rhythm The Piece Timbre Words, Images and Movement Index

Promotional Information

Edited by distinguished scholars in the field of popular music studies, this encyclopedia set is THE authoritative reference guide to popular music from all corners of the globe, the ultimate reference work to do justice to this vibrant subject.

About the Author

John Shepherd is a Distinguished Research Professor and Chancellor’s Professor Emeritus at Carleton University, Canada. He has been a member of EPMOW’s editorial board since 1990 and has published widely in the sociology and aesthetics of music and popular music studies. David Horn was a founding editor of the journal Popular Music and a founding member of the International Association for the Study of Popular Music (IASPM). He proposed the idea of EPMOW with blues scholar Paul Oliver in the 1980s and has worked on the project since then. Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Paul Oliver is a Fellow of Oxford Brookes University. Center for Popular Music Research, The Humboldt Univeristy, Berlin

Reviews

These first two volumes (of a projected 12) portend great things for the set. Among the 250 contributors are most of the leading scholars, musicians, and journalists in popular music studies. Nearly 20 years in the making, the encyclopedia responds to a need for a comprehensive approach to popular music, one that would give due attention to non-Anglo-American musics. To that end, much thought was devoted to the taxonomy and layout of each volume. Rather than simply listing entries alphabetically, each volume presents broad topics in some detail, with indexes in each volume to bring subjects together. An important ... addition to the canon of popular music studies. Highly recommended.
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