Preface
Lou Jillett (University of Western Sydney, Australia)
Frontier Violence
1. Doomed Enterprises at Caborca: The Henry Crabb Expedition of
1857 and McCarthy’s Unquiet American Boys
Dianne Luce (Midlands Technical College, USA)
2. Creatureliness and Justice in Cormac McCarthy’s All the Pretty
Horses
Lucy Neave (Australian National University, Australia)
3. Terra Damnata: The Anticosmic Mysticism of Blood Meridian
Petra Mundik (University of Western Australia, Australia)
Comparative Literature and Landscape
4. “Knowledge Was Never a Matter of Geography”: Patrick White and
Cormac McCarthy
Jan Nordby Gretlund (University of Southern Denmark, Denmark)
5. McCarthy, W.G. Sebald and A.N. Whitehead: Metaphysical Prose
Tom Lee (University of Technology, Sydney, Australia)
6. Cormac McCarthy and Tim Winton: Working “From the Ecosystem
Up”
Joel Found (University of Southampton, UK)
Bioregionalism and Nomadism in McCarthy's Western
Literature
7. The Blood of a Nomad: Environmental Stylistics and All the
Pretty Horses
Dave Gugin (University of Guam, Guam)
8. Baroque Meridians: Between Myth and Actuality on the American
Frontier
Kate Montague (University of New South Wales, Australia)
9. Cormac McCarthy’s Topologies of Violence
Katja Rebmann (University of Warwick, UK)
Liminal Thresholds
10. Textual Borders in Cormac McCarthy’s Novels: The Poetics of
Paragraph Breaks in The Road
Beatrice Trotignon (Université Paris Diderot, Sorbonne Paris Cité,
Larca, France)
11. Flânerie, Vagrancy and Voluntary Exile in Cormac McCarthy’s
Suttree
Lou Jillett (University of Western Sydney, Australia)
12. Suttree, Flaubert, Joyce
Anthony Uhlmann (University of Western Sydney, Australia)
Interdisciplinary Approaches
13. Western Scourge: Myth, Language and Law in Blood Meridian and
Deadwood
Paul Sheehan (Macquarie University, Australia)
14. McCarthy's Time Image
David Otto Fitzgerald (University of Sydney, Australia)
15. What's Wrong With What's Wrong With The Counselor
Peter Josyph (Independent Scholar and Painter, USA)
Bibliography
List of Contributors
Index
Showcases a range of approaches to McCarthy’s landscapes, covering the full span of his works, from the early Appalachian novels set in rural Tennessee, through to the Southwestern novels set along the U.S./Mexico border, as well as a treatment of the highs and lows of McCarthy’s literary and cinematic career, from the Pulitzer Prize winning novel The Road to the subsequent limited success of The Counselor.
Louise Jillettis a tutor in the School of Humanities & Communication Arts and a PhD Candidate at the Writing and Society Research Centre at Western Sydney University, Australia.
Lou Jillett has drawn together a collection of essays by both
established and up-and-coming McCarthy scholars that covers the
full range of the author's career, but which also focuses on
ecocritical and bioregional approaches to the author's work. Much
of the previous scholarship in that area has focuses on The Road,
as Jillett notes in her preface, but clearly inquiries in to topics
like frontier violence, nomadism, and borders or liminal thresholds
(as three of the five sections of the collection are titled) are
both contemporarily relevant and applicable to all of McCarthy's
work. And in a nod to the collection's origins, comparisons with
the Australian authors Patrick White and Tim Winton are also
included. Jillett has curated an excellent addition to McCarthy
studies, and anyone who wants to know what Cormackians are talking
about these days would do well to seek it out.
*Stacey Peebles, Associate Professor of English and Director of
Film Studies, Centre College, USA, and editor of The Cormac
McCarthy Journal*
Cormac McCarthy’s Borders and Landscapes is a rich and contemporary
collection that explores the full range of McCarthy’s works, from
his early southern novels to his later work, much of it situated in
the American West. Interpreting the idea of 'border' broadly, these
essays explore both interior and exterior borders in the context of
philosophy, psychology, and literary theory, with a particular
focus on ecocriticism and bioregionalism. Various chapters take on
with vigor and incisive vision McCarthy’s persistent exploration of
violence and its human and ecological consequences. The volume is
comparative in approach, with careful attention paid to the
author’s evolution in perspective and his increasingly global
vision. The volume is an essential addition to a rich body of
criticism, and it makes a tremendous contribution to our
understanding of one of the most important authors of our time.
*Steven Frye, Professor of English, California State University,
Bakersfield, USA, author of Understanding Cormac McCarthy, and
editor of The Cambridge Companion to Cormac McCarthy and The
Cambridge Companion to the Literature of the American West*
This new collection of essays on Cormac McCarthy beautifully
captures the topology of his prose: its rootedness to particular
places and non-places, but also its metaphysical stoniness. Always
lively and varied, the book truly internationalises McCarthy,
opening his work up to new borders and vistas.
*Chris Danta, Senior Lecturer in English, University of New South
Wales, Australia*
The scholarly breadth, theoretical rigour and interdisciplinarity
of this collection place it at the leading edge of McCarthy
criticism. Cormac McCarthy’s Borders and Landscapes offers a range
of original critical perspectives on this most fascinating of
writers, providing an invaluable guide for readers who wish to
explore fresh ways of reading McCarthy’s work through the prism of
exciting new departures in literary criticism.
*David Holloway, Senior Lecturer in American Studies, University of
Derby, UK*
A major event in McCarthy studies … Jillett’s edited book deserves
high praise … [It] opens up an as yet understudied field of
research within McCarthy scholarship … A much-needed book that
conjoins the ecocritical and the media-theoretical perspectives
within the transnational community of McCarthy scholars … An
indispensable guide for those interested in the latest developments
of McCarthy studies.
*The Cormac McCarthy Journal*
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