Preface; Introduction: The Development of the Modern Corporate Collection; Part One: The Collections: Beginning our Tour; Group One: Emblematic Collections; Aspen Re; Standard Bank; General Mills; Cazenove Capital Management; Group Two: Environmental Enrichment; Deloitte (London); Pictet; Deutsche Bank; Hiscox; Group Three: Patronage; Abraaj Capital; Deloitte (Luxembourg); British Airways; Group Four: All-Rounders; Progressive Insurance; Louis Vuitton; Monsoon; Part Two: Changes, Crises, Finances - and What Lies Beyond; The Art of Disposals by Catherine Higgs; Dispersal Case Study: The Sara Lee Collection; The Art of Taxes by Catherine Higgs; Evolving into a Museum: The Fleming Collection; Starting a Corporate Collection: An Introduction and Postscript; Appendix: Collections in Focus - Interviews with Consultants and Artists; Selected Bibliography; Index.
Charlotte Appleyard is Head of Patrons and Keeper's House Launch at the Royal Academy of Arts in London. She previously worked as Director of Development at Outset Contemporary Art Fund, and in the curatorial departments at The National Gallery in London and the Metropolitan Museum of Art in New York. She has contributed pieces on art and visual culture to The Spectator, The Art Newspaper, Literary Review and Huffington Post. James Salzmann is a director of Gurr Johns Ltd, the international fine art advisory firm. He began his career in the arts in the silver and twentieth-century design departments of Sotheby's auction house, and has held strategic development positions there and at the contemporary auction firm of Phillips de Pury & Company.
'...insightful...packed with examples that are well presented and fascinating...very high quality images by wonderful artists...a showcase for those corporations that have created added value through collecting art.' -Patricia Frischer, San Diego Visual Arts Network, www.sdvisualarts.net
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