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Cover Me
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20 chapters investigate the origins and evolution of classic musical covers. Explores iconic covers such as Elvis's 'Hound Dog' and Led Zeppelin's 'Dazed and Confused'. Perfect gift for music fans.

About the Author

Ray Padgett founded the blog Cover Me in 2007 and has run it ever since, growing it into the largest blog devoted to cover songs on the web, with 80,000 individual readers a month. He lives in New York City and works as a senior music publicist for Shore Fire Media.

Reviews

"One of the best multi-subject music books to come down the pike in years. . . . By taking a fresh and deeply informed approach to a project that could have been dismally predictable, Padgett has produced a book that even the most condescending music snob will find satisfying and illuminating." --Variety

"Ray Padgett . . . offers up the inside track on the stories behind the 20 most iconic cover songs of all time, and the artists who turned them into classics." --Parade "Music publicist and blogger Padgett (covermesongs.com) delves into the world of the cover song by compiling interviews, archival photographs, and reproductions of disc labels to highlight 20 well-known tunes covered by artists ranging from Elvis Presley and the Who to Adele, giving each a chapter tracing the song's history, production details, and other versions when appropriate. His explorations of the reasons artists choose to record covers are astute, and while some of the original performers (perhaps more obscure to current listeners) were not always pleased to have their own versions superseded, others were honored that someone valued their work enough to take on this challenge. The especially useful bibliography cites both sources contemporaneous to the time of the first recordings as well as recent scholarship and relevant websites. VERDICT This engaging nostalgia trip is sure to appeal to discophiles and cultural historians. . . ." --Library Journal "Fresh context and intriguing background to many of these songs. . . . Astute ruminations on evolving cultural perceptions of the cover's place in the music canon." --AV Club.com

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