"The Crescent and the Pen challenges the conventional wisdom about the Taslima Nasreen saga. The masterfully crafted personal narrative by Hanifa Deen is enriched with extensive interviews of the principal actors and is bound keep the readers captivated." -- Ali Riaz, Associate Professor of Politics and Government, Illinois State University "Hanifa Deen has turned her personal quest for the true story of Taslima Nasreen's fame and exile into a compelling, judicious, and critically insightful bit of scholarly detective history. She provides an eye-opening account of the cultural politics of literary celebrity in the present age of global anti-Islamism." -- David Ludden, Professor of History, University of Pennsylvania "Hanifa Deen offers a brilliantly researched and masterly account of the saga of Bangladeshi's writer Taslima Nasreen. It deconstructs the mythology surrounding Nasreen's flight from Bangladesh in 1994, supposedly to escape the threats from Islamists. The book evokes feelings of sympathy, pity and admiration and makes compelling reading for all interested in Taslima Nasreen's saga and all its symbolism." -- Riaz Hassan, Emeritus Professor of Sociology, Flinders University, Australia "Hanifa Deen has produced a rich and informative literary tapestry, matching the complexity of the subject matter that is filled with an intriguing mix of myth and reality. Deen's meticulous treatment of the facts and her personalized account of Islamism, exile and identity politics make this book essential reading." -- Dr Shahram Akbarzadeh, Director, Centre for Muslim Minorities & Islam Policy Studies, Monash University
HANIFA DEEN is Senior Research Fellow at the Centre for Muslim Minorities at Monash University. An award-winning Australian author of Pakistani-Muslim ancestry who writes narrative nonfiction and lives in Melbourne, Deen has held a number of high-profile positions in a career spanning twenty-three years in human rights, ethnic affairs, and immigration, including: Hearing Commissioner with the Human Rights and Equal Opportunity Commission of Australia, Deputy Commissioner of Multicultural Affairs Western Australia, and a Director of Special Broadcasting Services (SBS) Corporation. She now works full-time as a writer, which she sees as the perfect medium for a woman with an irreverent tongue, a maverick-Muslim perspective on life, and a passion to subvert stereotypes wherever they lurk.
[T]his account reflects not only Nasreen's evolution as a writer
but also Deen's as a critic. Recommended. Upper-division
undergraduates through faculty; general readers.
*Choice*
The conventional story in the West holds that Bangladeshi writer
Nasreen spoke out against Islamist fanatics, male oppression, and
the curtailment of freedom of expression; was charged by the
government with injuring religious sentiment; and was forced to go
into hiding and flee her native country in 1994. Deen was puzzled
by, for example, the lack of Bangladeshi women defending her, and
thought there might be more to the story. Between 1995 and 2000,
she conducted over a hundred interviews and traveled not only to
Bangladesh several times, but also other places associated with
Nasreen, and found a stranger story than she had imagined.
*Reference & Research Book News*
The Crescent and the Pen is less an expose of religious intolerance
in Bangladesh than an examination of such issues as Western
stereotyping of Islam, the romantic desire for the role of the
rescuer, and the disillusionment of the rescuers when they discover
that their chosen heroine is far from perfect….[a]s the West steps
up its campaign for ideological dissent in the Muslim world, this
is an immensely timely reminder that dissidents tend to be unruly
beasts rather than plaster saints.
*The Australian*
In 1993, Bangladeshi physician, writer, and activist Nasreen was
accused of blasphemy, and a fundamentalist group issued a fatwa
against her. With a price on her head, she left her home country
and now lives in Europe. Her case brought a great deal of attention
to Islamic fundamentalism and the persecution of writers, but, as
Deen shows, the real story differs in several important ways from
the official version, and there are many unanswered questions. For
example, why, when writers around the world were coming to
Nasreen's defense, did she receive virtually no support within her
own country? It's a troubling book because it forces us to consider
the possibility that Nasreen wasn't simply a victim of ideological
persecution, but it deserves to be read for the author's
informative and thoughtful reappraisal of the case. Timely and
extremely relevant in the post-9/11 climate.
*Booklist*
The Crescent and the Pen is an exciting peek into a world of
intrigue and deception, from the first word to the last.
*Azizah*
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