Table of Contents

Introduction: What Is the Criminal Baroque?
The Theatrical Jácara and the Celebration of 'Desórdenes Públicos'
The Alguaciles as Theatrical Peacekeepers and Lawbreakers
The Criminal Leading Man as Brawler and Soldier
Criminality, Theatricality and Nobility, Part I: Corpus Christi Chaos in Seville
Criminality, Theatricality and Nobility, Part II: The Spectacular Fall of Don Rodrigo Calderón
Criminality and Kingship on Stage
Conclusion

About the Author

TED L.L. BERGMAN is Lecturer in Spanish at the University of St Andrews.