About the Author

is a theorist, historian, and artist concerned with digital technology and capitalist ideology. His essays have been translated into Chinese, French, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in journals such as CTheory, Semiotica, and Leonardo. He has been exhibiting internationally since 1993. His book, The History of Motion Graphics: From Avant-Garde to Industry in the United States was published in 2013. His monograph, Beyond Spatial Montage: Windowing, or, the Cinematic Displacement of Time, Motion, and Space, concerned with juxtaposed and composited imagery onscreen, was published by Focal Press.