Attica Locke is the author of Black Water Rising, which was nominated for an Edgar Award, an NAACP Image Award, and a Los Angeles Times Book Prize, and was short-listed for the UK's Orange Prize, and also the national bestseller The Cutting Season, which won an Ernest Gaines Award for Literary Excellence. She is a producer and writer on the Fox drama Empire. She is on the board of directors for the Library Foundation of Los Angeles, where she lives.
"Superb. . . . Inventive. . . . Insightful." - Florida
Sun-Sentinel
"The impressively astute Attica Locke writes . . . in much the same
way that Mr. Lehane [does]. . . . Each is willing to use the murder
mystery as a framework for much more ambitious, atmospheric
fiction." - New York Times
"A thoughtful, well-written and absorbing read with a surprising
ending." - Minneapolis Star Tribune
"Although The Cutting Season succeeds as a thriller, above all it
is a well-crafted warning about the damage wrought--generational,
social, romantic--when the past is distorted or denied." -
Financial Times
"I was first struck by Attica Locke's prose, then by the ingenuity
of her narrative and finally and most deeply by the depth of her
humanity. She writes with equal amounts grace and passion. . . .
I'd probably read the phone book if her name was on the spine." -
Dennis Lehane
"[A] haunting mystery, where the murder of a migrant worker brings
past and present into hair's-breadth proximity. " - People
"Locke's [The Cutting Season] is written with fluidity and
elegance, evoking the uniqueness of her setting and the nuances in
the relationships of her characters, complicated by race, class,
and history." - Kirkus Reviews
"[An] atmospheric . . . nuanced look at the South's tragic past and
one strong woman's stand against ingrained cultural and economic
oppression." - Booklist
"Compelling. . . . A mystery that expands the whole idea of the
mystery, reaching from the present deeply into the past. . . .
Great writing, the kind that gives you goose bumps." - Los Angeles
Times
"More than a whodunit. While keeping the pace of a thriller, Ms.
Locke blends Louisiana's past with its present, tackling race,
self-identity and corporate corruption. Ms. Locke's prose revels in
the sumptuous Louisiana landscape but also swoops and jumps as the
story unravels." - The Economist
"Dripping with southern Gothic atmosphere. . . . Equal parts murder
mystery and family drama, the novel also draws readers in through
its considerations of African-American history and life in
post-Katrina Louisiana." - USA Today
"One of the most engaging and gifted new voices in the genre. . . .
The Cutting Season does more than exhume a body--it rattles the
bones of slavery, race, class, and power to examine a crime that
reverberates from more than a century ago." - Atlanta
Journal-Constitution
"The Cutting Season is a novel about the shifting definitions of
family, the persistent pull of history, the sterling promise of
home, and the stunning power of love. It pulled me in and held me
close to the very last page." - Tayari Jones, author of Silver
Sparrow
"A layered, nuanced mystery with a social conscience. Weaving
legal, social, historical, and economic elements into the story of
a changing family, it's a good choice for readers who enjoy
multifaceted mysteries." - Library Journal
"The Cutting Season is a rare murder mystery with heft, a
historical novel that thrills, a page-turner that makes you think.
Attica Locke is a dazzling writer with a conscience." - Dolen
Perkins-Valdez, New York Times bestselling author of Wench
"Absorbing. . . . As she managed to do so well in her first novel,
Black Water Rising, Locke draws on the past to remind her
characters how much it has shaped their identities and how much it
continues to shape the choices they make." - New York Times Book
Review
Locke follows her debut, Black Water Rising, with a convoluted tale about the Louisiana antebellum plantation Belle Vie and two multigenerational families that have occupied it for more than a century. Caren Gray, whose great-great-great grandfather was a slave, manages the entire staff for Belle Vie, which caters weddings and parties and stages shows about plantation life in the old days. The Clancys trace their lineage back to William Tynan, who acquired the plantation after the Civil War. Patriarch Leland Clancy's wife restored the mansion now run by her son Raymond. The discovery of the body of a cane field worker from the adjacent farm on Belle Vie property triggers a chain of events that embroils Caren, her nine-year-old daughter, the Clancys, and others in an investigation that finds its antecedents in the two families' entwined histories. The murder and its solution take second place as Locke charts the South's troubled progress since slavery through a surfeit of subplots. Agent: Richard Abate, 3 Arts Entertainment. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.
Caren Gray faces down the ugly history of slavery daily-she manages the Belle Vie plantation for its owners, the Clancy family. For generations, her family worked for the Clancys, and she and her nine-year-old daughter found refuge here after Hurricane Katrina. Caren's routine of coordinating school tours, weddings, and banquets is interrupted by the grisly discovery of a migrant worker's body on the property. The police zero in on a suspect, but Caren is unconvinced they have their man. Her investigation unearths more than she bargained for-and she realizes how widespread the repercussions of slavery still ripple. VERDICT Locke's second novel (after 2009's Black Water Rising) is a layered, nuanced mystery with a social conscience. Weaving legal, social, historical, and economic elements into the story of a changing family, it's a good choice for readers who enjoy multifaceted mysteries with a strong female protagonist and that blur genre distinctions. [See Prepub Alert, 4/23/12; author Dennis Lehane picked this title as his first selection for his eponymous imprint at HarperCollins.-Ed.]-Amy -Brozio-Andrews, Albany P.L., NY (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
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