Thomas Perry won an Edgar Award for The Butcher's Boy, and Metzger's Dog was one of the New York Times's Notable Books of the Year. His other books include The Face-Changers, Shadow Woman, Dance for the Dead, and Vanishing Act. He lives in Southern California with his wife and two daughters.
Jane's attempt to help an orphan boy overlaps with her work for a woman accused of stealing $50 million in Perry's (Vanishing Act, LJ 12/94) latest thriller.
As usual, Perry (The Butcher's Boy) cuts to the chase. In the opening scene of this riveting mystery thriller, Jane Whitefield, an expert at helping people in danger disappear, slugs it out with three brawny hoodlums in an L.A. courthouse. At that point, she has traveled across half the country trying to protect Timmy Phillips, an eight-year-old heir to millions, from the stop-at-nothing professional killers on their trail. The same criminals, led by a powerful ex-cop named Barraclough, murdered Timmy's adoptive parents. Now they want Mary Perkins, a fugitive savings-and-loan fleecer who also asks Whitefield for help. Perry launches a complex pursuit, during which Whitefield relies on her Seneca heritage for insight and on friends for crucial assistance. A love interest highlights the personal price Whitefield pays for doing her secretive, dangerous work. The nail-biting climax takes place on a snowy night in a location that seems tailor-made for film: the rusting remains of a huge steel mill near Buffalo. The denouement may strike some readers as too neat, but it's a minor quibble. With his distinctive protagonist, thoroughly amoral villains and the unrelenting action, Perry scores again. 75,000 first printing; major ad/promo. (Apr.)
"Compelling . . . Nobody writes a chase better than [Thomas]
Perry."-The Washington Post Book World
"Spellbinding . . . Terrific . . . Jane Whitefield may be the most arresting protagonist in the 90s thriller arena. . . . Thrillers need good villains, and this one has a formidable SOB who is cold-blooded enough to satisfy anybody's taste."-Entertainment Weekly
"A terse thriller . . . Perry starts the story with a bang."-San Francisco Chronicle
"One of the most engaging heroines in contemporary suspense."-The Flint Journal