Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes If It Bleeds, The Institute, Elevation, The Outsider, Sleeping Beauties (cowritten with his son Owen King), and the Bill Hodges trilogy: End of Watch, Finders Keepers, and Mr. Mercedes (an Edgar Award winner for Best Novel and an AT&T Audience Network original television series). His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works The Dark Tower, It, Pet Sematary, and Doctor Sleep are the basis for major motion pictures, with It now the highest-grossing horror film of all time. He is the recipient of the 2020 Audio Publishers Association Lifetime Achievement Award, the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.
A pilgrimage that began with one lone man's quest to save multiple worlds from chaos and destruction unfolds into a tale of epic proportions. While King saw some criticism for the slow pace of 1982's The Gunslinger, the book that launched this series, The Drawing of the Three (Book II, 1987), reeled in readers with its fantastical allure. And those who have faithfully journeyed alongside Roland, Eddie, Susannah, Jake and Oy ever since will find their loyalty toward the series' creator richly rewarded. The tangled web of the tower's multiple worlds has manifested itself in many of King's other worksAThe Stand (1978), Insomnia (1994) and Hearts in Atlantis (1999), to name a few. As one character explains here, "From the spring of 1970, when he typed the line The man in black fled across the desert, and the gunslinger followed... very few of the things Stephen King wrote were `just stories.' He may not believe that; we do." King, in fact, intertwines his own life story deeper and deeper into the tale of Roland and his surrogate family of gunslingers, and, in this final installment, playfully and seductively suggests that it might not be the author who drives the story, but rather the fictional characters that control the author. This philosophical exploration of free will and destiny may surprise those who have viewed King as a prolific pop-fiction dispenser. But a closer look at the brilliant complexity of his Dark Tower world should explain why this bestselling author has finally been recognized for his contribution to the contemporary literary canon. With the conclusion of this tale, ostensibly the last published work of his career, King has certainly reached the top of his game. And as for who or what resides at the top of the tower... The many readers dying to know will have to start at the beginning and work their way up. 12 color illus. by Michael Whelan. Agent, Arthur Greene. (Sept. 21) Copyright 2004 Reed Business Information.
For the seventh time since the man in black first fled across the desert in The Gunslinger, King picks up the strands of plot and character with which he has been fashioning the tapestry of Roland Deschain's quest for the Dark Tower and begins to weave the final portion. Without dropping a single thread, he has created a new, deadly nemesis in Mordred, the Crimson King's half-spider, half-human offspring, while reuniting Roland, Susannah, Eddie, Jake, and Oy. Though this book's publication is a bittersweet event for the myriad faithful fans, they will not be disappointed. Characters who by now seem like friends and family reach their destinies in a way that resonates with the ancient fundamentals of storytelling. The series is a classic, certain to grow in readership. And, as the folks of Mid-World would say, King has earned many long days and pleasant nights. [See Prepub Alert, LJ 5/1/04.] Nancy McNicol, Ora Mason Lib., West Haven, CT Copyright 2004 Reed Business Information.
"[A] hypnotic blend of suspense and sentimentality...sprawling,
eventful tale of demons, monsters, narrow escapes, and magic
-- "The New York Times Book Review"
"One gets the feeling that this colossal story means a lot to King, that he's telling it because he has to....He's giving The Dark Tower everything he's got."
-- "San Francisco Chronicle"