Jack Kerley worked in advertising and teaching before becoming a full-time novelist. He lives in Newport, Kentucky, but also spends a good deal of time in Southern Alabama, the setting for his Carson Ryder series, starting with 'The Hundredth Man'. He is married with two children.
Praise for The Death Collectors: ‘A fascinating and frightening take on the genre’ Independent on Sunday ‘Kerley who writes like a house on fire, has a boundless and truly ghastly imagination that’ll keep you awake long after you turn the last page’ Kirkus Praise for The Hundredth Man: ‘A superb debut novel. A headless torso, the heat-soaked Alabama nights, a detective with a secret. Fantastic’ Sunday Express ‘A chilling journey into a pitch-black mind’ Michael Marshall ‘A sturdy hero with a clearcut mission and a setting that holds possibilities for fresh adventure. Kerley writes in a thrusting style that pushes the action from crime scene to autopsy table…’ The New York Times Book Review ‘Kerley jacks up the tension effectively, building to an all-stops-out climax. The plot is a treasure chest of interlocked pieces’ Booklist (starred review)
Praise for The Death Collectors:
'A fascinating and frightening take on the genre' Independent on Sunday
'Kerley who writes like a house on fire, has a boundless and truly ghastly imagination that'll keep you awake long after you turn the last page' Kirkus
Praise for The Hundredth Man:
'A superb debut novel. A headless torso, the heat-soaked Alabama nights, a detective with a secret. Fantastic' Sunday Express
'A chilling journey into a pitch-black mind' Michael Marshall
'A sturdy hero with a clearcut mission and a setting that holds possibilities for fresh adventure. Kerley writes in a thrusting style that pushes the action from crime scene to autopsy table...' The New York Times Book Review
'Kerley jacks up the tension effectively, building to an all-stops-out climax. The plot is a treasure chest of interlocked pieces' Booklist (starred review)
On the trail of a serial killer, Alabama detectives Carson Ryder and Harry Nautilus uncover a network of wealthy collectors who'll pay top dollar for celebrity slayer artifacts. There is some irony that Kerley calls attention to our nation's unhealthy fascination with murderers in the course of a serial killer novel. Reader Hill aids the author's intent by employing a smarmy, supercilious voice for a key broker of the murder memorabilia and other unpleasant vocal characteristics-arrogance, brutishness-for the collectors. He also provides authentic and distinguishing accents for a large cast of mainly deep South dwellers, including gruff African-American Nautilus and Ryder, who narrates the novel with an unwavering easy-going, slightly whimsical drawl. But Hill's most impressive achievement is in turning Ryder's brother Jeremy, an incarcerated homicidal madman who, as written, is essentially one more Hannibal Lecter clone, into an original, mood-swinging nightmare whose 180-degree shifts from croon to rant can add a chill to the hottest summer weather. Simultaneous release with the Dutton hardcover (Reviews, May 30). (July) Copyright 2005 Reed Business Information.
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